«Дедушка, голубчик, сделай мне свисток».
«Дедушка, найди мне беленький грибок».
«Ты хотел мне нынче сказку рассказать».
«Посулил ты белку, дедушка, поймать».
— Ладно, ладно, детки, дайте только срок,
Будет вам и белка, будет и свисток!
Сэм Тейлор (Sam Taylor, 1916-1980) - Американский джазовый и блюзовый тенор-саксофонист. Величайший мастер мирового уровня. С конца 30-х работал в различных оркестрах, с 50-х выступал с собственной группой. Его виртуозное исполнение произвело революцию в этом виде искусства и отличается мелодичностью, мягким стилем, поразительно плавной фразировкой. Sam Taylor навсегда останется одним из величайших саксофонистов эпохи.
Oedipus Orca
The Original Album
1-01–James DashowAlice2:05
1-02–James DashowStare Solo2:23
1-03–James DashowPer Un Momento1:43
1-04–James DashowUn Amore Perduto2:26
1-05–James DashowSequenza Bosco4:19
1-06–James DashowTripping5:06
1-07–James DashowStare Insieme1:22
1-08–James DashowRicordando Di Notte1:43
1-09–James DashowUn Ritorno2:11
1-10–James DashowSequenza Finale3:13
1-11–James DashowLa Pianta Di Livio (Musica Elettronica Special Added Premiere Recording)6:58
Bonus Tracks
1-12–James DashowOedipus Orca (Titoli)2:16
1-13–James DashowAlice (Ritorno A Casa)4:00
1-14–James DashowRicordando Di Notte (Tristi Ricordi)2:03
1-15–James DashowAlice (La Casa Di Campagna)1:47
1-16–James DashowStare Insieme (La Soffitta)3:06
1-17–James DashowTripping (Amore Malato)1:38
1-18–James DashowSequenza Bosco (Fuga)3:36
1-19–James DashowAlice (Il Vero Padre)1:46
La Orca
1-20–Federico Monti ArduiniMale D'Amore3:24
1-21–Federico Monti ArduiniLa Orca (Tema Piano)2:10
1-22–Federico Monti ArduiniLa Orca (Sequenza Autobus)1:26
1-23–Federico Monti ArduiniAi Confini Del Sogno2:38
Una Spirale Di Nebbia
2-01–Ivan VandorUna Spirale Di Nebbia2:20
2-02–Ivan VandorUn Caso Insoluto2:29
2-03–Ivan VandorUna Spirale Di Nebbia (Valeria)1:38
2-04–Ivan VandorUn Caso Insoluto (Il Bosco)1:03
2-05–Ivan VandorUna Spirale Di Nebbia (Mistero)3:10
2-06–Ivan VandorUn Caso Insoluto (Battuta Di Caccia)1:47
2-07–Ivan VandorUna Spirale Di Nebbia (Amore Nella Nebbia)1:11
2-08–Ivan VandorUna Spirale Di Nebbia (Per Amore Di Valeria)2:29
2-09–Ivan VandorUna Spirale Di Nebbia (Valeria Tema 2)2:00
2-10–Ivan VandorUn Caso Insoluto (Omicidio)2:34
2-11–Ivan VandorUna Spirale Di Nebbia (Tradimenti)1:17
2-12–Ivan VandorUn Caso Insoluto (Tragico Incidente E Segreti)2:32
2-13–Ivan VandorUna Spirale Di Nebbia (Fabrizio)1:40
2-14–Ivan VandorUna Spirale Di Nebbia (Corsa Nel Bosco)2:09
2-15–Ivan VandorUn Caso Insoluto (Enigma Irrisolto)1:32
2-16–Ivan VandorUna Spirale Di Nebbia (Finale)0:59 2011
1–The Creed Taylor OrchestraThe Nervous Beat
2–Charlie ParkerFunky Blues
3–Sam "The Man" TaylorReal Gone
4–Slim Gaillard And His Southern Fried OrchestraSt. Louis Blues
5–Sam "The Man" Taylor And His Cat MenHarlem Nocturne
6–Sam "The Man" TaylorSam's Blues
7–Candido Camero Blue Prelude
8–Barney KesselHoney Rock
9–The Creed Taylor Orchestra-St.James Infirmary
10–Sil AustinSlow Walk
11–Red PrysockPurple Wail
12–Roland KirkYou Did It, You Did It
13–Elmer BernsteinToots Shor's Blues
14–David RoseThe Stripper 2005
1Die Dressiertre Frau - Title Theme
2Was Manner Nicht Fur Moglich Halten - Follow Me
3Madame Und Ihre Nichte - Title Theme
4Schulmadchen Report 1-13 -Title Theme
5Schulmadchen Report 1 - Girl Faces
6Schulmadchen Report 2 - Dirty Beat
7Schulmadchen Report 3 - Soul Guitar
8Schulmadchen Report 4 - Getting Blue
9Was Manner Nicht Fur Moglich Halten - Dirty Boy
10Schulmadchen Report 5 - Ecstasy Blues
11Madchen Die Nach Munchen Kommen - Title Theme
12Madchen Die Nach Munchen Kommen - Sexy Girls
13Die Fleissigen Bienen Vom Frohlichen Bock - Blues Party
14Madame Und Ihre Nichte - Hot Dance
15Madame Und Ihre Nichte - Dirty Dancing
16Was Manner Nicht Fur Moglich Halten - Ballet Elevin
17Die Jungen Ausrei?erinnen - Blue Mood
18Madame Und Ihre Nichte - Ecstasy Dance
19Die Jungen Ausrei?erinnen - Little Girls 1996
Additional title: “Schoolgirl Report & More Music From Sexy German Films (1968-1972)”.
Baby I Love You2:34
Hip Hug Her2:21
Knock On Wood2:33
Alfie (From The Paramount Picture Alfie)2:31
Fa-Fa-Fa-Fa-Fa2:11
In The Midnight Hour2:30
Shake2:44
Green Onions2:32
(I Can't Get No) Satisfaction2:29
634-57892:26
Soul American2:21
Hold On, I'm Comin'2:13 1968
Machito
Real Name:
Francisco Raúl Gutiérrez Grillo
Profile:
Francisco Raúl Gutiérrez Grillo (February, 16, 1912, Havana, Cuba - † April 15, 1984, London, England)
He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro - the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy of Francisco Raúl Gutiérrez Grillo.
Everything about Machito was unique and different. He was one of the few Afro-Cuban singers who performed both coro (chorus) and inspiraciones (verses) within the same tune. He shared vocal duties with his sister, Graciela Pérez-Grillo, creating mellifluous harmonies that are instantly recognizable. Most importantly, Machito infused every song in his dozens of albums with an air of bonhomie. Once you discover the warmth and giddy sense of humor that define his recordings, you will probably be hooked - just like the many Machito fans all over the world who get a smile on their faces with the simple mention of the man's name.
Born in 1908, Machito was the son of a cigar manufacturer. In 1937, he left his native Cuba for New York - a move that would change the history of Latin music. After working with tropical luminaries of the time such as Cuarteto Caney, Noro Morales and Xavier Cugat, Machito founded his own group, the Afro-Cubans, in 1940. Together with his brother-in-law and musical director Mario Bauzá, he was one of the pioneers of the Latin jazz movement - their track "Tanga" was just as groundbreaking as "Manteca," the historic collaboration between Dizzy Gillespie and Chano Pozo.
But to think of Machito simply as a Latin jazz musician would be a huge mistake. Yes, his 1957 album Kenya is one of the genre's most influential recordings. But Machito thrived in every tropical style imaginable: he recorded mambos and cha cha chas with unparalleled panache, but never forgot to include a steamy bolero in his repertoire. Boasting earth shattering performances by Graciela, Machito's boleros are some of the most transcendental examples of the genre. As decades passed, Machito made it a point to inform himself about the latest trends in music. He explored the bossa nova, Latin Soul and boogaloo fads.
The decade between the mid '50s and the mid '60s was a time of prodigious creativity for Machito and his orchestra. Its musicians and vocalists were at the peak of their powers, and they recorded copiously. It was also the time when the orchestras of Machito, Tito Rodríguez and Tito Puente competed against one other at the mythical Palladium - the temple of Afro-Cuban music in New York.
The tracks on this collection are culled mostly from the albums that Machito recorded for the Tico label during that period: classic LPs such as Sí Sí, No No (1956), the forgotten masterpiece Machito Inspired (1957), A Night Out (1960) and Tremendo Cumbán (1963).
The opening track in this anthology is an electrifying version of the classic Cuban tune "El Yerbero." Check out the tightness of the brass section, as well as the vocal exuberance of both Machito and Graciela. This is the kind of swing that only the few true masters of Afro-Caribbean dynamics can possess.
Included in Tremendo Cumbán, "Escúchame" is one of the few boleros where Machito can be heard sharing lead vocals with his sister. Their voices soar, backed by a silky big-band arrangement. Also from the same album, the inimitable "Franciscua Guajira" showcases Machito's eccentric sense of humor. After launching into the infectious chant "que sea como sea/que para bien sea," Machito and Graciela engage in a hilarious dialogue that also involves singer/songwriter Marcelino Guerra. The track fades out with the sound of Graciela's hearty laughter.
A sarcastic ode to the climatological pleasures of New York City, "Freezilandia" includes a touch of doo-wop vocal harmonies and a sweet mood of wide-eyed innocence about it - it is one of the orchestra's most endearing songs. The same doo-wop influence can be heard on Graciela's dreamy reading of the timeless bolero "Contigo En La Distancia."
The exotic "Heat Wave" is a lush instrumental cover of the 1933 Irving Berlin standard - from a 1959 LP devoted solely to Latinizing the Berlin songbook. Transposing American classics to tropical music was a popular stylistic device of the time, used with equal success by Tito Puente and Tito Rodríguez.
"Sopa de Pichón," which Machito composed himself, was one of his first big hits with the Afro-Cubans. The crisp version that we chose to include here is from the 1959 session Cha Cha Cha At The Palladium.
In 1956, Graciela had caused a stir with the salacious (and somewhat overwhelming) "Sí Sí, No No." The singer would step into similar double-entendre territory again with the hit "Ay, José." It was included in the excellent 1963 LP Esta Es Graciela, which together with Intimo Y Sentimental, were Machito's last two releases for Tico - and an attempt to launch Graciela herself as the star of the Machito orchestra.
In the mid '70s, Machito would take a decision that remains puzzling to this day. In an attempt to compete with the smaller salsa combos of the time, he downsized his group, leaving behind both Graciela and Mario Bauzá. "I don't know what got to him," says Graciela from her New York apartment, with sadness in her voice. "To this day, there is no explanation for what he did."
Machito carried on, recording with former Eddie Palmieri vocalist Lalo Rodríguez. By the early '80s, his sound had embraced the contemporary salsa aesthetics that he himself had helped develop. The closing track on this anthology, "Soy Salsero," draws a full circle - from Afro-Cuban jazz pioneer to salsa star.
El maestro Machito passed away in 1984, after suffering a heart attack during a performance at the London jazz club Ronnie Scott's. Musically, he was still at the top of his game.
Up, Up And Away2:47
The Flute Thing2:51
Lucy In The Sky With Diamonds2:22
Hang On To A Dream3:00
Roopaka Dha Teri Dhin Dhin2:26
Within You, Without You4:23
Mas Que Nada2:25
The Look Of Love2:56
Where?2:20
Djellaba (The Hooded One)1:18 Flack
Rhoda Scott
African-American hard bop and soul jazz organist.
A L'Orgue Hammond (Take A Ladder) 1969
Moanin'3:10
Il Est Mort Le Soleil3:45
Medley From West Side Story7:38
I Feel Pretty
Maria
Tonight
Take A Ladder4:15
Ebb Tide4:41
What Kind Of Fool Am I2:45
Count Basie2:23 1969
Prélude En Si Bémol Majeur4:21
The Preacher
Seigneur Jésus Je T'Appelle4:19
Come Bach To Me
Symphonie Du Nouveau Monde6:38
Sitting On The Dock Of The Bay
Sonate Au Clair De Lune5:58
Espoir
Prélude En Sol Mineur4:49
Moanin
Toccata En Ré Mineur6:06
Les Feuilles Mortes 1971
1The Windmills Of Your Mind
2Room Service
3A Man's Castle
4The Chess Game
5Cash And Carry
6His Eyes, Her Eyes
7Playing The Field
8Moments Of Love
9The Boston Wrangler
10Doubting Thomas
11The Crowning Touch
12The Windmills Of Your Mind
13His Eyes, Her Eyes
14The Windmills Of Your Mind
15Knock, Knock
16The Gang
17Getaway
18Escapeline
19Cemetary
20More Cemetary
21Enter Vicky
22The Windmills Of Your Mind
23Polo
24Brandy
25Chess Anyone?
26Let's Play Something Else
27Togetherness
28Don't Bug Me
29Beach House
30Love Montage
31No Deals
32All My Love, Tommy
Notes
Track 1 - 13 the 1968 soundtrack album recording.
Track 14 - 32 the original film score mp3
1Ginga
Vocals, Rap, Guest – Rappin Hood
4:06
2Moleque Danado4:19
3Quem Sou Eu
Guest, Vocals – Gilberto Gil
4:35
4Acredita No Véio3:24
5Banho Quente3:52
6Meu Legado5:01
7Cidade Grande5:01
8Meu Boi3:25
9Trocando As Bolas3:45
10Sou Brasileiro3:45
11Perdão Não Tem
Vocals – Elis Regina
4:11
12Vexamão
Vocals – Elis Regina
2:38 Flack
Жалко наш Лев Иванович Яшин не пел,было бы интересно !
1–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 1)2:13
2–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 2)5:07
3–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 3)3:49
4–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 4)2:55
5–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 5)3:17
6–John Servus Orchestra*Evening2:55
7–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 6)1:41
8–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 7)3:23
9–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 8)2:44
10–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 9)4:10
11–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 10)3:20
12–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 11)3:26
13–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 12)5:53
14–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 13)2:09
15–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 14)4:04
16–Gianni MarchettiLe Notti Porno Nel Mondo N° 2 (Seq. 15)4:08 Le Notti Porno Nel Mondo
Track List
Island
Angel's Lament
Alphabet
Cracks in the Ceiling
Mister Blister
Fadeaway Stranger
Once Upon a You Know What
Don't You Wish
Seven Ways of the Meek
Ballad of the Final Page
Inchoate Blues
Smelts
Scratch
A1Everybody's Talkin
Written-By – Neill
A2The Lonely Harmonica
Written-By – Pitch
A3Stranger On The Shore
Written-By – Bilk
A4Midnight Cowboy
Written-By – Barry
A5Canadian Sunset
Written-By – Heywood
A6Jerusalem, Jerusalem
Written-By – Shemer
B1The High And The Mighty
Written-By – Tiomkin
B2Moon River
Written-By – Mancini
B3The Callan Theme
Written By – Dacre
Written-By – Trombey
B4September Song
Written-By – Weill
B5A Boy For All Seasons
Written-By – Barratt, Guthrie
B6I WIll Wait For You
Written-By – Legrand, Gimbel The Lonely Harmonicas
Harry Pitch
Real Name:
Harold Cecil Pitch
Profile:
Harry Pitch (born 9 May 1925, Sculcoates, Hull, Yorkshire East Riding, England - died 15 July 2015, Slough, Berkshire, England) was an English harmonica player. He played on many pop songs of the 1960's and also for film and television music, notably on the theme for the sitcom Last of the Summer Wine (1973-2010). ДЛЯ ВЛАДИМИРА ПОЧИТАТЕЛЯ ЭТОГО ИНСТРУМЕНТА !
A1Monday, Monday2:21
A2Norwegian Wood (The Bird Has Flown)3:42
A3Acapulco Gold1:43
A4Girl3:10
A5Paramahansa3:22
B1(I Can't Get No) Satisfaction2:52
B2Karen's World3:18
B3You've Got Your Troubles2:25
B4Elusive Butterfly1:49
B5Guv-Gubi2:08
B6Eight Miles High4:00 Monday, Monday
The Paul Horn Quintet was a Grammy Award nominated jazz ensemble formed in 1958. They played modal style jazz heavily influenced by Miles Davis through the middle of the 1960s before shifting to a more easy listening sound for two albums. They reformed after Paul Horn returned from his travels through India and remained active until the mid 1970s.
The Quintet received a Grammy Award nomination for Best Jazz Album, Small Ensemble for their 1965 recording "Cycle". Their final release was the double live LP, "A Special Edition," which was released as a Paul Horn solo album in 1974 https://www.discogs.com/artist/1875260-The-Paul-Horn-Quintet