четверг, 10 января 2019 г.

Joanna Brouk ‎– Hearing Music

1-1 Going Through The Veil - Becoming A Swan 14:40
1-2 Maggi's Flute - Lifting Off 02:54
1-3 Maggi's Flue - Mary's Watch (Part 1) 06:39
1-4 Maggi's Flue - Mary's Watch (Part 2) 04:41
1-5 Maggi's Flue - Mary's Watch (Part 3) 05:24
1-6 Maggi's Flue - Mary's Watch (Part 4) 04:20
1-7 Fire Breath 07:35
1-8 The Creative 08:16
2-1 The Space Between 21:54
2-2 Majesty Suites - Entrance Of The Queen Of Winter Dawn 08:31
2-3 Invocation 00:36
2-4 Atavesta 03:28
2-5 Playing In The Water 03:11
2-6 Aurora 05:09
2-7 Diving Deep, Remembering Love 05:34
2-8 Going To Sleep 02:17
2-9 The Reminder Of Long Ago 04:54
2-10 The Nymph Rising, Calling The Sailor 04:37
2-11 First Meeting 05:09
2-12 Touching The Sky 05:04
2-13 The Sounding 00:52
2-14 Return To The Deep 01:00
Companies, etc.
Mastered At – Bonati Mastering
Licensed From – Joanna Brouk
Credits
Artwork [Label] – Howard Pyle
Composed By, Performer, Engineer – Joanna Brouk
Composed By, Piano – Bill Marado
Conch – Jonathan Worcester
Design – T.A. Breen
Flute – Lindsey Lalon, Maggi Payne, Nina Ruymakere
Mastered By – Josh Bonati
Photography By – George Svilich, Michael Powers
Photography By [Cover] – Steven Dane
Producer [Reissue] – Douglas Mcgowan, Ken Shipley, Rob Sevier
Recorded By [Orca Whales] – Jim Nollman
Research, Compiled By – Douglas Mcgowan
Sleeve Notes – Ryan Boyle
Vocals – Russell Newhouse
2016
Born in 1949, St. Louis County, Missouri. Died May 6, 2017.
She was a composer who wrote scores with geometric shapes, a poet who became a pioneer of early electronic music. Joanna Brouk's little-known body of work exists at the nexus between ambient, new age, drone, and classical minimalism—stark in its simplicity, lush in its expanse.

Studying under Robert Ashley and Terry Riley at the fabled Mills College Center For Contemporary Music before graduating into the margins of the '70s bay area new music scene, Ms. Brouk blazed her own trail well outside of the musical establishment to create uncompromising electronic and acoustic work of sleek beauty and primal power. Describing herself as less a composer than a channel, she took her cues from the frequencies of the natural world and the talents of collaborators like Maggi Payne and Bill Maraldo. Hearing Music collects for the first time the deepest cuts from her beguiling and rare cassette releases and her archive of previously unreleased recordings.



понедельник, 7 января 2019 г.

Нехама Лифшицайте ‎– Еврейские Песни В Исполнении Нехамы Лифшицайте / Recital By N. Lifshitsaite


Айнтцайтике Виглид
Рейзеле
Ди Ёнтевдике Тэг
Дер Вехтер
Ломир Зих Ибертерн
Дер Бойм
А Балладе Вегн А Мутер
Грине Блетер
Маме Шлог Мих Нит
Дос Фрейлехе Шнайдерл
Катерина-Молодица
Яш
1961



ЛИФШИЦ НЕХАМА ЮДЕЛЕВНА
NECHAMA LIFŠICAITĖ
נחמה ליפשיץ
7 октября 1927, г. Каунас, Литва - 20 апреля 2017, г. Тель-Авив, Израиль
Советская и израильская певица (лирико-колоратурное сопрано).
До репатриации в Израиль выступала под фамилией Лифшицайте


Окончила Вильнюсскую консерваторию (1951) и с 1956 года одной из первых в Советском Союзе после борьбы с космополитизмом стала выступать с концертами еврейской песни. Ее репертуар включал песни на идиш. С 1958 года гастролировала за рубежом, в том числе в Австрии, Франции, Бельгии и др. В начале 1960-х выпустила две пластинки с записями песен.
В 1969 году репатриировалась с семьей в Израиль. Продолжала концертные выступления. В 2006 году была избрана председателем Всемирного совета по языку идиш и еврейской культуре.https://www.kino-teatr.ru/kino/acter/star/375961/bio/



четверг, 3 января 2019 г.