«Дедушка, голубчик, сделай мне свисток».
«Дедушка, найди мне беленький грибок».
«Ты хотел мне нынче сказку рассказать».
«Посулил ты белку, дедушка, поймать».
— Ладно, ладно, детки, дайте только срок,
Будет вам и белка, будет и свисток!
All You Ever Need Is Beat3:24
Bangkok At Night2:04
Svenska Disco Machine2:12
Liebesspiele2:03
Bangkok Bossa2:11
Die Sieben Sünden2:25
Rachels Theme2:43
Melody In Love3:12
Come Shoot2:53
Smooth Voice4:02
Love, L'Amour, Amore3:12
Baby, Stick Together3:10
Vanessa3:53
Go Get A Kick4:10
Brazilian Countess3:57
All Said And Done4:28
Isle Of Love4:12
Dampfnudeln2:08
I Need It5:23
Ding Dong
Melody In Love (Instrumental) 2003
Compilation of music for Austrian and German erotic movies of the '60-'70 era, written and composed by Gerhard Heinz .
Еще маленький, она переехал в город Jaboticabal, проведя свое детство между городом и Рибейран-Прету, где начала свою карьеру на телевидении Tupi, канал 3 до 15 лет. Джиан выступала в качестве эстрадного исполнителя в известном южноамериканском оркестре Jaboticabal (музыкальная группа, основанная в 1940 году, существующая до сегодняшнего дня, являясь одной из последних в Бразилии по своей деятельности). В 1962 году она записывает свою первую работу под лейблом Chantecler, приносящую песню «Случайно»
В 1964 году он достигает большого успеха с песней Dominique, версия на португальском языке, первоначально записанная бельгийской певицей Soeur Sourire. Джиан была одной из первых певиц в Бразилии, которая использовала наложенный текст, чтобы сделать второй голос для себя в этой песне.👌
Доминик оставался около шести месяцев в хит-парадах страны👯
В 1960-х и 1970-х годах она добилась успеха сдругими песнями «Estrada do Sol», «Alle Porte del Sole» Джильолы Чинкетти. В разгар своей карьеры Джайан выступала на главных телевизионных шоу.
1–Lola & JerryLove, Love, Love3:07
2–Gerhard HeinzCome Shoot2:53
3–Waterloo & RobinsonMy Little World (German Version)2:50
4–Hannes TesarRocking Reggae2:47
5–Steffi Vinjak Bangkok At Night (Jimmy Michaels Mix)2:11
6–Hannes TesarVanessa (Original LP Mix)3:52
7–Gerhard Heinz, The London Studio ChorusTheme From The Joy Of Flying3:11
8–Andreas RohlLazy Lovin'3:52
9–Hannes TesarBe A Rover4:50
10–Hannes TesarFly Away Girl3:17
11–Andreas RohlThe Music Is On3:00
12–Martina EquiluzMelody In Love3:12
13–Martina EquiluzSweet Silent Sounds3:42
14–Steffi Vinjak Lollipop World4:42
15–Curtis CorporationSummer Night Fever3:10
16–Curtis CorporationDisco Nights (Single Mix)2:38
17–Curtis CorporationAll Said And Done4:31
18–The Triplets Isle Of Love (Jimmy Michaels Mix)6:26
19–Gerhard Heinz, Martina EquiluzI Miss You3:11
20–Gerhard HeinzIsle Of Lesbos2:59
21–FootballGo Get A Kick4:10
22–Andreas RohlHoneymooners Loving1:27
23–Rudy Come And See Hong Kong3:23
24–Steffi Vinjak I Need It (Parts 1 & 2)5:24
25–Rudy The Champ3:46
26–Angelika SimonHoliday Feeling (Original 1979 Mix)5:40
27–FootballDance To The Samba (Jimmy Michaels 12'' Edit)5:09
28–The Girls Of ViennaYou Are Superman1:55
29–FootballDancing In A Disco3:05
30–Luxury It's Alright4:52
31–Luxury Motorcycle Ladies3:06
32–Gerhard HeinzTrain In The Night (12'' Version)4:56
33–Michael ScheicklMelodie (Einer Grossen Liebe)3:07
34–Gerhard HeinzTheme From Linda2:56
35–Steffi VinjakTop Set (Jimmy Michaels Mix)4:08
36–Classroom Total Television (Original 1980 Mix)3:12
37–Classroom Look At Them Kids3:18
38–Gerhard HeinzRock You Baby, Shake You Baby3:00
39–Michael ScheicklLove In The Jungle4:22
40–Pippa ArmstrongCatherine Cherie's Theme (Full Length Version)5:45
41–Gerhard HeinzTheme From The Pussycat Syndrome2:42
42–Lola & JerryGet Up, Get Down3:31
43–Angelika SimonLinda Lu (English Version)2:38
44–Gerhard Heinz, The Girls Of ViennaWe Are The Little Pigs3:03
45–Angelika SimonTheme From Escape To Paradise2:58
46–Gerhard Heinz, Kamikaze Hellride (Video Version)2:25
47–Lola & JerryOnce More In Love4:06
48–Ines ReigerShe's An Angel3:17
49–Ron Williams Let's Talk About Africa4:47
50–Jimmy MichaelsWhy Don't We Fly Away
Featuring – Gerhard Heinz
2:49 2019
Austrian composer, lyricist and pianist, born 9 September 1927 in Vienna, Austria.
Gerhard Heinz started as young composer in the '60s. He worked for Polydor as a producer and as a singing coach for non-German speaking Schlager stars like Connie Francis, Milva, Rita Pavone, and Domenico Modugno as well as for Peter Kraus and Freddy Quinn. In 1961 composed his first scores for German and Austrian films, mostly B and C-grade comedies and sleazy soft-core action thrillers. Heinz frequently traveled between Vienna and Munich, and was soon highly-sought after for porn soundtracks. His music was an infectious soul jazz with funk and disco flavor. Heinz composed over 130 scores for a wide variety of films. Though best known for music he wrote for exploitation movies, one of his most prestigious collaborations was with Austrian director Franz Antel. Heinz scored Antel's four-part series Der Bockerer, about a naive Viennese butcher in Nazi Germany. These films, among the most highly regarded in Austrian cinema, spanned three decades, the first installment released in 1981, and the final film in 2003.
1Twilight3:53
2Stardust1:50
3The Dreaming - "Among The Stars"6:04
4Solar Winds9:42
5The Dreaming - "Visions"
Lyricon – Dallas Smith
4:28
6When Angels Touch5:06
7Sojourn3:28
8Saturn Rising6:28
9Beyond The Outer Rings3:26
10Voyager4:38
11Moons Of Saturn6:02
12New Frontiers6:04 1992
CD insert reads: "This sonic journey transports you into the realms of deep space, where time and matter are but an element of thought. In this realm, thought can travel many times the speed of light and time has little or no relevance. Here we can explore the cosmos or explore our own inner depths which are as vast and limitless as the universe itself. It is the exploration of our inner universe that holds the key to our successes, happiness, sense of well being and inner peace. We invite all our friends who listen to this music to sit back, relax, close your eyes and experience whatever the mind has to offer. It is unlikely that you will be disappointed with time well spent.
"Keyboards and Sound modules used: EMU Proteus/1, Korg 01/WFD, M3R and DW-8000, Kawai K1r, Casio FZ-1, Yamaha DX7IIFD and TX81Z with WX7 Wind Controller, Casio PG-380 Guitar Synthesizer"
A1Latin Fever2:36
A2For Cat Lovers Only1:48
A3Hot Dog2:54
A4Snakes And Ladders2:24
A5One Friday Afternoon1:42
A6Knock Knock Who's There2:58
B1Lucky Day3:52
B2I Saw My Baby Last Night2:12
B3Fascination2:13
B4Gurgle Along2:23
B5Taste The Mocha Beans2:42
B6I Like Your Walk, You Like My Talk2:07 1976
A1Honey
A2What A Wonderful World
A3Wish Me A Rainbow
A4Walkin In The Sunshine
A5Am I That Easy To Forget
A6Halfway To Paradise
B1Unchained Melody
B2Easy Come Easy Go
B3Counting The Days
B4Have I Told You Lately That I Love You
B5Togetherness
B6Husbands And Wifes 1962
South African broadcaster and singer. Born in Vredendorp, Johannesburg in 1931 from a Greek father and a British mother. Died on 22 May 2015 in Johanesburg. His father's (and his) surname was originally Kandilotis, but was changed to Lotis. Presented the show Radio Record Club on Springbok Radio and was the first South African radio presenter to boast a listenership of over a million people. He started 'Radio Today' in 1996 and was a presenter at that radio station until his death at age 84. He recorded several singles of popular South African songs such as 'Honey', 'Walking In The Sunshine' and 'Sunday Girl'.
The Old Man And The Mule2:11
Lazy Bones2:16
I've Got My Mind Set On You - Pt. I Pt. II3:28
St. James Infirmary2:36
Come Rain Or Come Shine1:56
If You Gotta Make A Fool Of Somebody1:58
Without A Song2:28
Teach Me Tonight2:16
A Miracle1:59
It's Been A Drag2:05
Welcome To The Floor2:15
Itty Bitty Pieces2:22 James Ray
Making the move from Washington, D.C. to New York City in 1959, aspiring just-turned-18 singer James Ray Raymond was ushered into a recording studio shortly after arrival, resulting in a single for Gallant, one of George Goldner's labels from the Gone/End/Gee group. As Little Jimmy Ray (his general appearance similar to short-in-stature hitmaker Little Willie John, though vocally they were quite dissimilar), his A side ballad "Make Her Mine," written by singer and Chantels mentor Richard Barrett, was flipped with "You Need to Fall in Love," penned by Raymond, its melody and arrangement a blatant imitation of John's signature tune "Fever." But as easy as it had been to break into the business, so was it tough going for the next two years.
James pounded the Big Apple pavement for many months after that one unsuccessful bid, occasionally working in small nightclubs but mostly singing on street corners and, for a time, living on the streets. A music-obsessed mailman, Rudy Clark, saw him in a club in 1961, which ultimately worked in James's favor. When Gerry Granahan, founder of the recently-established Caprice Records, showed interest in some of Clark's songs but didn't feel he had a voice for recording, Rudy tracked down James, who'd been sacking out on the roof of an apartment building, and took him to audition for Granahan. Caprice had gotten off to a good start that year with hit singles by a pair of female acts from New Jersey, Janie Grant ("Triangle") and The Angels ("'Til"). Taking a simplified and less juvenile name, James Ray scored the label's third big hit.
"If You Gotta Make a Fool of Somebody," the best song in Clark's repertoire, benefited further from an oddball arrangement by Hutch Davie (whose first notable accomplishment was co-composing "The Green Door" and pounding the piano on Jim Lowe's number one hit version in '56). Many of Davie's arrangements went against trend; he often made clever use of horn sections (trumpet blasts, trombone accents). The recording was produced as a waltz and emphasized the tuba and harmonica as lead instruments. The whole thing could have gone horribly wrong, but didn't; Ray's distinctive vocal performance came almost as an afterthought. "If You Gotta" hit the national charts in November 1961 and spent several weeks in the top 30 in January and February '62 while reaching the top ten of the R&B charts. Flip side "It's Been a Drag" wasn't strong on airplay but Ray's reading of the song's downer message rang true.
James Ray
Clark composed the follow-up, "Itty Bitty Pieces," which contrasted Ray's gritty vocal sound against pop backing singers and a more conventional band arrangement than its predecessor. A lesser hit, it just missed the top 40 in mid-May. Around this time James popped up in an unlikely place: Janie Grant's spoof of Vitalis hair tonic, "That Greasy Kid Stuff," poked fun at the infamous 1871 meeting of explorer David Livingstone and H.M. Stanley in Africa. James supplied the obvious spoken line 'Dr. Livingstone, I presume!' (Janie chiming in with '...are you still using that greasy kid stuff?') and made his last, albeit uncredited, appearance on the charts. The next James Ray single, "A Miracle," fell far below expectations, after which he was switched to Granahan's Dynamic Sound label for "I've Got My Mind Set on You," another Rudy Clark song, a failure for Ray but not, as it turned out, for another well-known singer many years later.
While James Ray attempted in vain to build on his promising start, British musicians were busy spreading the word about his songs. The Beatles, still pounding the Liverpool pavement in early '62 (and paying their dues in Hamburg, Germany at the Star-Club), began including "If You Gotta Make a Fool of Somebody" in their set; fascinated by Ray's hit and its mesmerizing harmonica, they used it as a blueprint for their own debut single, "Love Me Do," recorded that summer. A rousing performance of "If You Gotta" at Liverpool's Cavern Club in September did not go unnoticed by Freddie and the Dreamers, who were on the bill that night; a somewhat soulless recording of the song became the first major U.K. hit for Freddie and company in the spring of 1963. U.S. artists had a fondness for the tune as well; Calvin Grayson's remake appeared on Capitol in the summer of '65 and Maxine Brown charted with her version at the end of the year. Some went the "Itty Bitty Pieces" route; The Rockin' Berries released a pop version in late 1963, followed a few months later by Chris Farlowe and the Thunderbirds' bluesy variation.
James Ray's later efforts appeared on the Congress label and included "Do the Monkey" (written by Clark with occasional collaborator Bobby Darin) and his final single, "We Got a Thing Goin' On," in 1964. Ray's death occurred sometime afterwards, a drug overdose being the most commonly believed cause. Even the date of this tragedy is uncertain, but he wouldn't have been much older than his mid-twenties, a talented singer mysteriously taken too soon.
Rudy Clark pushed on and realized his dreams, authoring several indelible classics including "The Shoop Shoop Song (It's in His Kiss)" (a super-size '64 hit for Betty Everett), "Good Lovin'" (penned with Arthur Resnick, it was a hit for The Olympics in '65 and a Young Rascals chart-topper a year later), "Everybody Plays the Fool" (The Main Ingredient's signature smash in '72, cowritten with J.R. Bailey and Ken Williams) and solid soul shots for Chuck Jackson, Mary Wells and Wilson Pickett, among others. For years, Beatle George Harrison had planned to record one of his favorite songs, "Got My Mind Set on You" (retitled slightly from Ray's 1962 original); in 1987 he finally did and in January '88 it became the second number one hit in the songwriting career of Rudy Clark, simultaneously renewing interest in the superbly unique recordings of James Ray.
- Michael Jack Kirby
A1Love Is A Morning Sunrise
A2Cherish
A3Ann
A4My Boy
A5Talking In Your Sleep
A6Try To Remember
A7When I Loved Her
B1L'amour Est L'enfant De La Liberté
B2Amazing Grace
B3Ten Girls Ago
B4Once In A Lifetime
B5Love Of A Gentle Woman
B6Back Step
B7My Way
James Pegler was well-known in the 70s and 80s as a singer of ballads and love songs. Born in Castle Hill, Sydney NSW Australia, he worked as a jackeroo in Queensland and had seven successful working tours in England.
After eight years of intensive training at the Sydney Conservatorium, his career started in 1972 with success in the ABC’s “Showcase”. In England, he toured with Harry Secombe and Petula Clarke, and also appeared with Des O’Connor and Gladys Knight. ABC-TV produced a Special and then a series of six programs called “The James Pegler Show”.
Jim’s most personal triumph was when he performed at the United Nations UNICEF Concert in the General Assembly Hall in New York. The charity concert directed by Sir Robert Helpmann, was the first in the Assembly Hall for just one country and included other great Australian performers: Joan Sutherland, June Bronhill and Barry Crocker.
He passed away on 15 June 2004 due to heart failure.
Jane BirkinQuoi
–Jane Birkin En Duo Avec Serge GainsbourgLa Décadanse
–Jane BirkinMon Amour Baiser
–Jane BirkinFuir Le Bonheur De Peur Qu'Il Ne Se Sauve
–Jane BirkinYesterday Yes A Day
–Jane Birkin ,En Duo Avec Serge Gainsbourg69 Année Erotique
–Jane BirkinEx-Fan Des Sixties
–Jane BirkinJane B
–Jane Birkin En Duo Avec Serge GainsbourgJe T'Aime ... Moi Non Plus
–Jane BirkinBaby Alone In Babylone
–Jane BirkinRaccrochez C'Est Une Horreur
–Jane BirkinLolita Go Home
–Jane BirkinBallade De Johnny-Jane
–Jane BirkinEn Rire De Peur D'Être Obligée D'En Pleurer
–Jane BirkinDi Doo Dah
–Jane BirkinBaby Lou
Orang Outang2:25
Le Canari Est Sur Le Balcon2:17
Les Capotes Anglaises2:10
Bébé Song2:38
Si Ça Peut Te Consoler3:01
La Fille Aux Claquettes2:30
Apocalypstick2:35
Exercice En Forme De Z2:30
L'aquoiboniste2:18
Rocking Chair2:12
Overseas Telegram3:30
Les Dessous Chics2:10
Être Ou Ne Pas Naître3:23
C'est La Vie Qui Veut Ça2:56
Le Couteau Dans Le Play3:43
Amours Des Feintes4:30 Master Serie
1–Barbara AcklinLove Makes A Woman
2–Barbara AcklinJust Ain't No Love
3–Barbara AcklinYou've Been In Love Too Long
4–Barbara AcklinBe By My Side
5–Barbara AcklinMake The Man Love You
6–Barbara AcklinIt's A Groovy Idea
7–Barbara AcklinStop Look And Listen
8–Barbara AcklinPortrait Of A Broken Heart
9–Barbara AcklinI Did It
10–Barbara AcklinAm I The Same Girl
11–Barbara AcklinAfter You
12–Barbara AcklinLady Lady Lady
13–Barbara AcklinI Call It Trouble
14–Barbara AcklinYes I See The Love
15–Barbara AcklinTo Sir With Love
16–Barbara AcklinSomeone Else's Arms
17–Barbara Acklin With Gene ChandlerFrom The Teacher To The Preacher
18–Barbara Acklin With Gene ChandlerShow Me The Way To Go
Singer/Songwriter raised in Chicago, Il; cousin of Monk Higgins who produced her first sessions for Special Agent in 1966 (as Barbara Allan). Also, a backup vocalist at Chess Records in the mid 1960's.
Born: 28 February 1943 in Oakland, California (or) 28 February 1944 in Chicago, Illinois.
Died: 27 November 1998 in Omaha, Nebraska. (Pneumonia)
She collaborated extensively with Eugene Record of The Chi-Lites.
Her first hit was "Show Me The Way To Go" a 1966 duet with Gene Chandler. Her biggest hit is "Love Makes A Woman" (1968)but she is mostly famous for "Am I The Same Girl" (1968), later huge hits for Dusty Springfield and Swing Out Sister.
69 minutes or so of minimalist / maximalist melodies and beats over smutty moaning and dirty talk. Sometimes techno, sometimes oldschool beats with samples from out there. A labor of love, music for perverts and adicts.
released June 12, 2017
A1Aurora
A2Softer Side Of Heaven
A3Yesterday's Sunset
A4Land Of The Midnight Sun
B1Ice Flow
B2Footprints
B3Ice Castles
B4Desolation Wilderness 1986
This recording from David Blonski and Jon Allasia features acoustic guitar and flute with vast electronic and orchestral backdrops paying tribute to our planet's frozen arctic and mountainous expanses and the beauty that can be found in these most desolate of places. The music flows smoothly from soft ambient spaces to bold orchestral and rhythmic statements and back again.
Land of the Midnight Sun
All music composed, arranged and performed by David A. Blonski & Jon Allasia
David Blonski - Flute, Synthesizers & Electronic Percussion
Jon Allasia - Guitars & Synthesizers
String Bass - Hans Halt , Cliff Hill / Violin - Michael Harrison, Dan Rosen, Kevin Lancaster
English Horn & Flute - Frank Benvenuto
String Arrangements for Softer Side of Heaven & Yesterday's Sunset - Michael Harrison
Recorded at Allasia Studio South Lake Tahoe, CA
Mastered at Timeless Productions Studio, Garden Valley, CA
1–Alan HackerMarch By Mr. Handel (Boxwood Clarinet)1:40
2–Unknown ArtistMira O Norma (Polyphon Musical Box)2:06
3–Kathryn TickellJean's Reel (Northumbrian Small Pipes)2:37
4–Best Of BrassLezghinka (Brass Group)2:23
5–Nigel NorthPrelude To Lute Suite In E Major (Baroque Lute)4:37
6–Paul Whiteman & His OrchestraCollette (78 RPM Record)2:43
7–Dave Townsend John Come Kiss Me Now (English Concertina)3:43
8–Monks Of Prinknash Abbey & Nuns Of Stanbrook AbbeyMusic From Compline (Plainsong)1:19
9–Stephen PrestonLe Coucoû (Ivory Flute)2:34
10–Sound In BrassWhistling Rufus (Handbells)2:09
11–Eileen MongerLimerick's Lamentation/Give Me Your Hand (Celtic Harp)3:40
12–Robin CanterLa Quinte Estampie Real (Treble Shawm)1:21
13–Unknown ArtistI've Got A Lovely Bunch Of Coconuts ("Barrel Organ")1:47
14–Jing Ying SoloistsLove At The Fair (Chinese Er-Hu)3:16
15–Unknown ArtistMiss Annabelle Lee (Pianola Roll)3:06
16–Ralph HolmesScherzo From "Spring" Sonata (Stradivarius Violin)1:18
17–Jack CharmanThe Wibbly Wobbly Walk (Phonograph Cylinder)4:05
18–Jim CouzaJenny Lind Medley (Hammer Dulcimer)3:03
19–Richard Burnett Turkish Rondo (Viennese Fortepiano)3:11
20–Georges SchmittO Sanctissima (Pan Pies & Organ)3:04
21–Danielle PaulyRève Gourmand (French Accordion)2:42
22–Canterbury Clerkes & London Serpent TrioSportive Little Trifler (English Glee With Serpents)1:25 1986
This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending - in a somewhat more forward-thinking direction - the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by - for the time - amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the Moog voice as valid on its own terms, which may be one reason why this album still stands out today, when compared with some of the more flamboyant work that followed from others, such as Isao Tomita - everything here is musical, with no sound effects to speak of until near the finale (and even that is restrained); and the Moog is working in its own "voice," rather than overtly imitating other, non-electronic instruments. On the downside of the ledger in the eyes of many serious listeners, this record and its success were also to "blame" for any number of excesses by Emerson, Lake & Palmer, Rick Wakeman (especially "The Six Wives of Henry VIII" which, to be fair, was his best album), Tomita and others, and helped foster the multi-keyboard musical barrages mounted by ELP and Yes, for starters. ["Switched-On Bach" has been reissued several times on CD, including an audiophile version and, in 2001, an edition with one bonus track.]
–ChicDance, Dance, Dance (Yowsah, Yowsah, Yowsah)
–Barry WhiteIt's Ecstacy When You Lay Down Next To Me
–StargardWhich Way Is Up
–C.J. & CoDevil's Gun
–THP OrchestraTwo Hot For Love
–Meco*Star Wars Title Theme
–Donna SummerI Feel Love
–ParliamentFlash Light
–KC & The Sunshine BandBoogie Shoes
–Rhythm HeritageGonna Fly Now (Theme From "Rocky")
–Samantha SangYou Keep Me Dancing
–Eruption I Can't Stand The Rain
–The TrammpsDisco Inferno
–KC & The Sunshine BandKeep It Comin' Love
–BrickDazz
–Bionic BoogieRisky Changes
–Jimmy "Bo" HorneDance Across The Floor
–Santa EsmeraldaDon't Let Me Be Misunderstood
–The EmotionsBest Of My Love
–Roy AyersRunning Away
–Boney M.Ma Baker
–Tuxedo JunctionChattanooga Choo Choo
–The Michael Zager BandLet's All Chant
–Peter Brown Dance With Me 1978
A1Kiedy Znów Zakwitną Białe Bzy
A2Bal U Zizi
A3Zatańczmy Tango
A4Złoty Pierścionek
A5Nad Czarną Hańczą
A6Właśnie Dlatego
A7Na Szczęście
B1Ej, Piotr
B2Samotność
B3Chciałabym, A Boję Się
B4Mam Chłopczyka Na Kopernika
B5Rausz
B6Zapomnisz O Mnie
B7A W Zakopanym Sypie Śnieg 1966
Еще маленький, она переехал в город Jaboticabal, проведя свое детство между городом и Рибейран-Прету, где начала свою карьеру на телевидении Tupi, канал 3 до 15 лет. Джиан выступала в качестве эстрадного исполнителя в известном южноамериканском оркестре Jaboticabal (музыкальная группа, основанная в 1940 году, существующая до сегодняшнего дня, являясь одной из последних в Бразилии по своей деятельности). В 1962 году она записывает свою первую работу под лейблом Chantecler, приносящую песню «Случайно»
