1 Love Letters 2:11
2 Picnic 2:07
3 Johnny Angel 2:18
4 True Love 2:31
5 Boy Of My Own 2:04
6 Where's It Gonna Get Me 2:08
7 It's Been A Long Long Time 2:10
8 Funny Face 1:59
9 I'm Growing Up 2:15
10 Hi Lilli Hi Lo 2:11
11 Very Unlikely 2:24
The Things We Did Last Summer (Colpix SCP 431) 1962 BB LP No 121
12 The Things We Did Last Summer 2:27
13 Vacation 2:20
14 Breaking Up Is Hard To Do 2:06
15 Roses Are Red 2:42
16 Johnny Loves Me 2:21
17 Sealed With A Kiss 2:39
18 The Locomotion 2:09
19 It Keeps Right On A Hurtin' 2:51
20 Johnny Get Angry 2:24
21 See You In September 2:11
22 Palisades Park 1:55
Bonus Tracks
23 What Did They Do Before Rock And Roll
Vocals – Paul Peterson
2:06
24 Big Star 2:40
25 Telephone (Won't You Ring) 2:38
2014
2014 Jasmine Records--Shelley Fabares is one -- and maybe the best -- of a handful of young actresses/singers who emerged from the end of the 1950s through the mid-'60s, in an attempt to extend television stardom into action on the pop charts. Most didn't last, and none made the impact of their rivals, the singers who tried acting (Connie Francis, Sandy Stewart, Lulu, etc.), but Fabares did score a huge hit with "Johnny Angel."
The Band Wagon [Original Soundtrack] [CBS]Shelley Fabares was born on January 19, 1944 in California, to a family that already had a background performing (her aunt is Nanette Fabray, the actress best remembered for movies such as The Band Wagon), and she began working as a dancer and model while still a child. By the mid-'50s, she had appeared in such movies as Never Say Goodbye and Summer Love. In 1958, Fabares won the role of Mary Stone in the ABC television series The Donna Reed Show -- the show was a hit, and over the next five years, in tandem with former Mouseketeer Paul Petersen, who played her brother Jeff on the show, Fabares was one of the most visible and popular young performers on television, and the quintessential TV "daughter."
The Monkees The series was produced by Columbia Pictures Television, and the two young performers were asked to try working with the studio's label, Colpix Records. Although the demos failed to impress the label's executives, Donna Reed Show producer Tony Owen (Reed's husband) insisted that they try and make a proper record, and even financed the recording session himself with producer Stu Phillips (The Monkees, Battlestar Galactica) at the helm.
Girl HappyFabares' debut release, "Johnny Angel," reached number one on the charts in early 1962, and is regarded today as a quintessential "girl group" record. None of her subsequent records ever came close to that exalted level, but Fabares recorded for the next three years, in between acting assignments that included movies with Elvis Presley (Girl Happy, Spinout, Clambake), releasing three modestly successful singles ("Johnny Loves Me," "The Things We Did Last Summer," "Ronnie, Call Me When You Get a Chance") and a pair of albums (Shelley, The Things We Did Last Summer). To Fabares, who never conceived of a singing career for herself and wasn't entirely comfortable in that role, these recordings were all a lark, but they constituted little more than a footnote to her early career.
One Day at a Time Despite her indifference to recording, Fabares' first husband was producer Lou Adler. She didn't remain in the music business, and even her acting career had stalled at the end of the '60s. During the '70s, she resumed her career as an adult performer, appearing as a regular on series such as Forever Fornwood and One Day At A Time. She later married actor Mike Farrell (M*A*S*H) and has since emerged as a major television star again, as Craig T. Nelson's wife in the hit series Coach. She and Farrell have also been very visible as activists, raising money and the public's consciousness on behalf of numerous causes, most notably
Shelley Fabares is one -- and maybe the best -- of a handful of young actresses/singers who emerged from the end of the 1950s through the mid-'60s, in an attempt to extend television stardom into action on the pop charts. Most didn't last, and none made the impact of their rivals, the singers who tried acting (Connie Francis, Sandy Stewart, Lulu, etc.), but Fabares did score a huge hit with "Johnny Angel."
The Band Wagon [Original Soundtrack] [CBS]Shelley Fabares was born on January 19, 1944 in California, to a family that already had a background performing (her aunt is Nanette Fabray, the actress best remembered for movies such as The Band Wagon), and she began working as a dancer and model while still a child. By the mid-'50s, she had appeared in such movies as Never Say Goodbye and Summer Love. In 1958, Fabares won the role of Mary Stone in the ABC television series The Donna Reed Show -- the show was a hit, and over the next five years, in tandem with former Mouseketeer Paul Petersen, who played her brother Jeff on the show, Fabares was one of the most visible and popular young performers on television, and the quintessential TV "daughter."
The Monkees The series was produced by Columbia Pictures Television, and the two young performers were asked to try working with the studio's label, Colpix Records. Although the demos failed to impress the label's executives, Donna Reed Show producer Tony Owen (Reed's husband) insisted that they try and make a proper record, and even financed the recording session himself with producer Stu Phillips (The Monkees, Battlestar Galactica) at the helm.
One Day at a Time Despite her indifference to recording, Fabares' first husband was producer Lou Adler. She didn't remain in the music business, and even her acting career had stalled at the end of the '60s. During the '70s, she resumed her career as an adult performer, appearing as a regular on series such as Forever Fornwood and One Day At A Time. She later married actor Mike Farrell (M*A*S*H) and has since emerged as a major television star again, as Craig T. Nelson's wife in the hit series Coach. She and Farrell have also been very visible as activists, raising money and the public's consciousness on behalf of numerous caus
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