A new installment in Tiliqua's seemingly never-ending Erotic
Oriental Sunshine series brings you this time the first re-
release of Mabuki Junko's sole recorded artifact Ai no Dorei,
originally released as a cassette-only by Victor Records back
in 1980 as part of their Yoru no Driver series tapes. The
series was designed specifically to target the sexually
frustrated, long-distance trucker demographic in order to
bring them a little erotic aural companionship on those
grueling overnight hauls.
Junko appeared on the scene of hardcore bondage and S&M flicks
after Tani Naomi had thrown in the towel and with she would be
the last of the big screen porn and S&M stars to emerge during
Japan's Golden Age of Roman Porno. She was especially great in
S&M movies such as Showa Erotica -- Bara no Kifujin, Dan
Oniroku -- Hakui Nawa-Jigoku and Onna-biyoshi: Nawa-shiiku and
her on screen presence caused Dan Oniroku to dub her as "if
Tani Naomi is the Marilyn Monroe of the SM scene, then Mabuki
Junko is its Ingrid Bergman".
Junko solely recorded at the height of her short-lived career
the tape Ai no Dorei, which is possibly the most perverted and
sexually deranged recording ever to be released. Ai no Dorei
is built on a lush instrumental carpet of covers of famous
enka tunes, upon which Mabuki Junko rolls and writhes,
enacting hardcore BDSM fantasies, perversions and degenerate
sexual dramas for her lonesome big-rig listeners. The real
draw though is Mabuki Junko's aural evocation of the utterly
perverse and degenerate sexual actions, as she journeys deep
into the depraved depths of hardcore bondage, lesbian S&M,
golden showers, torture, suspension bondage, and master-slave
relationships. A little knowledge of the Japanese language
reveals Ai no Dorei as truly one of the most filthy and
sexually disturbing recordings ever to be released. Mabuki
delivers it all with no lack of conviction.
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