Nella Dodds– This Is A Girl's Life: The Complete Wand Recordings 1964-1965

 1 Come Back Baby 2:21

2 A Girl's Life 1:58

3 P's And Q's 2:30

4 Finders Keepers, Losers Weepers 2:30

5 Honey Boy 2:22

6 You Don't Love Me Anymore 2:31

7 Dream Boy 2:21

8 First Date 2:42

9 One Love Not Two 2:52

10 Whisper You Love Me Boy 2:21

11 Your Love Back 2:17

12 Gee Whiz 2:43

13 Maybe Baby 2:45

14 Come See About Me 2:36

15 I Just Gotta Have You 2:42

Nella

The combination of her unusual, highly beguiling voice, some excellent songs and corking dance grooves make the recordings of Nella Dodds have charmed collectors of Northern Soul and girl groups for more than 35 years. Nella should, by rights, have had an album release in the mid-‘60s, when she was signed to New York’s Wand label via a production deal with Philadelphia’s Dyno-Dynamic Productions -essentially the precursor of what would eventually evolve into classic 1970s ‘Philly Sound’. She should also have had several major hits, rather than just the two fair to middling ones that she did have. But by the time that Philadelphia usurped Detroit as the epicentre of commercial Soul music, Nella Dodds had forsaken music for domesticity, destined to be regarded as another ‘great unknown’. Both sides of all six singles Dodds released on Wand between 1964 and 1965 are on this compilation, along with three outtakes from the same era, which have never been heard in public since the day they were recorded. Besides Nella, others who participated in these sessions include musicians who went on to form the core of MFSB, legendary Philly DJ/songwriter Jimmy Bishop (discoverer of and mentor to a host of other Philadelphia soul greats, most notably Barbara Mason) and Philadelphia International co-founder Kenneth Gamble, who wrote many of the songs. As well as Nella’s hit cover of the Supremes’ 'Come See About Me' (a song that made it up to number 74 in the charts) and its Top 100 follow-up 'Finders Keepers, Losers Weepers', this great collection features the Northern Soul favourites 'Come Back Baby', 'Honey Boy', 'First Date' and 'Maybe Baby'. It also includes what is probably the best cut on the set: Gamble’s moody ballad ‘You Don't Love Me Anymore’ which, sadly wasted on the B-side of ‘Come See About Me,’ sounds like a cross between Dionne Warwick and mid-'60s girl groups. All in all, this is a consistently enjoyable retrospective of an underrated singer who deserved more than she got. http://www.allmusic.com/,