МЕЛОМАНЧИК !: мая 2016

вторник, 31 мая 2016 г.

Алексей Архиповский

1.Шарманка

2.Дождик

3.Колечко

4.Барыня

5.Колыбельная

6.Ваня

Here

http://www.arkhipovskiy.com/

Raymond Scott & His Orchestra - ''This Time With Strings'' (1957)

Raymond Scott And His Orchestra - ''This Time With Strings''

Label: Coral CRL-57174

Format: Vinyl, LP, Album, Mono

Country: US

Released: 1957

Genre: Jazz, Pop, Classical

Style: Easy Listening

Tracklist:

A1.Power House

A2.Pretty Little Petticoat

A3.Nightfall - Venice

A4.Toy Trumpet

Written By – Pollack-Mitchell

A5.Mountain High, Valley Low

Written-By – Bernard Hanighen

A6.In And Eighteenth Century Drawing Room

B1.Twilight In Turkey

B2.Huckleberry Duck

B3.Serenade

B4.Boy Scout In Switzerland

B5.A Cafe In Sorrento

HERE

Tito Benito Et Son Orchestre ‎– Allo Brigitte 1962

Tito Benito Et Son Orchestre– Allo Brigitte

Label:

Disque Saphir– LDP 5022

Format:

Vinyl, 7", 45 RPM, EP

Country:

France

Released:1962

Genre:

Latin

Style:

Cha-Cha

Tracklist

A1 Allo Brigitte

A2 Le Cha-Cha-Cha Des Ecus

B1 Chow-Chow Cha-Cha

B2 Bongo Cha-Cha

Tito Benito Et Son Orchestre

пятница, 27 мая 2016 г.

Песни сибирской каторги (2005)

Various ?– Песни Сибирской Каторги
Label:
Фамилия Энтертейнмент – FE 225191-2, Квадро-Диск ?– EXL05-218
Series:
25 Золотых Песен Начала XX Века –
Format:
CD, Compilation
Country:
Russia
Released:
2005
Genre:
Pop
Style:

Tracklist Hide Credits
1 –Д. Ершов Скажи Мне, Товарищ, Как Попал Ты В Рудник
Music By, Lyrics By – Unknown Artist
2 –Н. Плевицкая* По Диким Степям Забайкалья
Music By, Lyrics By – Unknown Artist
3 –Л. Сибиряков* Прощальное Слово
Lyrics By – С. Скиталец*
Music By – М. Слонов*
4 –Л. Сибиряков* Звезда, Прости, Пора Мне Спать
Music By, Lyrics By – Unknown Artist
5 –Л. Сибиряков* Ах Ты, Солнце, Солнце Красное
Music By, Lyrics By – Unknown Artist
6 –Л. Сибиряков* Зачем Я, Мальчик, Уродился
Music By, Lyrics By – Unknown Artist
7 –Л. Сибиряков* Идет Он Усталый
Music By, Lyrics By – Unknown Artist
8 –Ф. Шаляпин* Она Хохотала
Lyrics By – А. Майков*
Music By – Г. Лишин*
9 –Ф. Шаляпин* Солнце Всходит И Заходит
Music By, Lyrics By – Unknown Artist
10 –Unknown Artist Не Гулял С Кистенем
Music By, Lyrics By – Unknown Artist
11 –В. Севастьянов Хоть Трава Не Расти
Music By, Lyrics By – А. Шмидтгоф*
12 –Н. Шевелев* Песня Каторжника
Music By, Lyrics By – Unknown Artist
13 –Е. Гиляров Погиб Я, Мальчишка
Music By, Lyrics By – Unknown Artist
14 –Хор Бродяг Под Упр. Скалкина Ермак
Music By, Lyrics By – Unknown Artist
Vocals [Soloist] – Г. Бахмутов
15 –Н. Шевелев* Колодники
Music By, Lyrics By – Unknown Artist
16 –Хор Каторжников Тобольской Каторги С Иркутска Ворочуся
Music By, Lyrics By – Unknown Artist
17 –Хор Каторжников Тобольской Каторги Славное Море, Священный Байкал
Music By, Lyrics By – Unknown Artist
18 –Хор Каторжников Тобольской Каторги Говорила Сыну Мать
Music By, Lyrics By – Unknown Artist
19 –Н. Плевицкая* Горе Преступника
Music By, Lyrics By – Unknown Artist
20 –Н. Плевицкая* По Старой Калужской Дороге
Music By, Lyrics By – Unknown Artist
21 –Н. Плевицкая* Стенька Разин
Music By, Lyrics By – Unknown Artist
22 –Ф. Шаляпин* Легенда О Двенадцати Разбойниках
Music By, Lyrics By – Unknown Artist
23 –Unknown Artist То Не Ветер Ветку Клонит
Music By, Lyrics By – Unknown Artist
24 –С. Садовников* Ах Ты, Доля
Music By, Lyrics By – Unknown Artist
25 –С. Садовников* Прощай, Мой Сын
Music By, Lyrics By – Unknown Artist
Companies, etc.
Manufactured By – ООО "СиДи-Арт"
Credits
Compiled By – Александр Шульгин
Design – ВГdesign
Liner Notes – Александр Тихонов
Management – Яна Гида
Mastered By – Егор Руденко
Music Consultant – Валерий Сафошкин
Supervised By [Music Editor] – Елена Бедуш
https://www.discogs.com/Various-%D0%9F%D0%B5%D1%81%D0%BD%D0%B8-%D0%A1%D0%B8%D0%B1%D0%B8%D1%80%D1%81%D0%BA%D0%BE%D0%B9-%D0%9A%D0%B0%D1%82%D0%BE%D1%80%D0%B3%D0%B8/release/4755973

HERE

Mister (Mitch) Murray - "I Drink To Your Memory" - CLEAR version! - '66

Down Came The Rain (Mister Murray)

Александр Журбин - Два портрета

HERE

Tracklist

Марина

Красною Кистью...

Кто Создан Из Камня, Кто Создан Из Глины...

В Огромном Городе Моем - Ночь...

Зверю - Берлога...

У Меня В Москве - Купола Горят

Значит, Не Надо...

Идешь, На Меня Похожий...

Велимир

Бобэоби Пелись Губы

Точит Деревья И Тихо Течет...

Смейево, Смейево

Когда Умирают Кони - Они Дышат...

https://www.discogs.com/artist/1114507-%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80-%D0%96%D1%83%D1%80%D0%B1%D0%B8%D0%BD

Аракс ‎– Колокол Тревоги 1980

HERE (Bootleg)

Новая группа в Контакте https://vk.com/club122142235

Аракс Евгений Евтушенко, Глеб Май- Исповедь 1983

Tracklist

A Исповедь

B Исповедь (Окончание)

HERE

Credits

Bass Guitar – С. Рудницкий*

Design [Cover] – А. Саядянц*

Drums – Г. Хащенко*

Engineer [Recording] – С. Теплов*

Ensemble – Струнный Ансамбль ГАБТ СССР*, Группа "Аракс"*

Guitar – В. Голутвин*

Lyrics By [Literary Composition] – С. Чистяков*

Music By, Arranged By, Keyboards, Flute – Глеб Май

Read By, Liner Notes, Lyrics By – Евгений Евтушенко

Supervised By [Editor] – А. Качалина*

Vocals – А. Алешин*

Notes

Литературно-музыкальная композиция

Запись 1980 г.

В 1980 году музыканты «Аракса» (Анатолий Алёшин, Вадим Голутвин и сыгравший на бас-гитаре Сергей Рудницкий) приняли участие в записи литературно-музыкальной композиции Евгения Евтушенко и Глеба Мая «Исповедь». Пластинка вышла в 1983 году.

четверг, 26 мая 2016 г.

Автоматические Удовлетворители-Праздник Непослушания Или Последний День Помпеи 1998

Праздник Непослушания Или Последний День Помпеи

Tracklist

Манифест 3:36

7-ое Ноября 2:34

Выруби Сук 3:14

Подвал 5:13

Город 5:49

Мороз 3:53

Россия 3:00

Бред 3:32

Короли Ночи 3:38

Ярко-Бледно-Розовый 3:12

Убейте 3:31

Мертвый Клоун 3:32

Плевать 3:35

Юнкера 4:37

HERE

Группа образована летом 1979 года Андреем Пановым. Одно из первых ленинградских выступлений группы состоялось 22 марта 1980 года в ленинградском кафе Трюм на празднике по поводу дня рождения Андрея Тропилло. В том же 1981 году «АУ» даёт серию «квартирников» в Москве, куда приезжает по приглашению Артемия Троицкого, и затем едет в Прибалтику, после чего временно прекращает свою активность.

В конце 1982 года группа собирается вновь и снова играет в Москве квартирные концерты, а 1 мая 1983 года — в центре Люберец. Долгое время группа оставалась в полном андерграунде, пока в 1987 году группа «АУ» не вступила в «Ленинградский рок-клуб» и впервые приняла участие в его рок-фестивале. Вторую половину 1988 года Свин также участвовал в проекте «600» своего бывшего басиста Михаила Виноградова.

В 1992 году группа выступает в телевизионном эфире в рамках передачи «Программа А».

В середине 90-х годов начался новый период активности «АУ». В конце 1995 группа практически разделилась на два проекта Свина, один из которых продолжал быть панк-роковым, а другой взял название «Аркестр АУ». В «Аркестр АУ» вошли профессионально звучавшие музыканты, а по музыке это был энергичный танцевальный фанк. Эти проекты также были известны под названиями «фАУ» и «Оркестр А. В. Панова».

Множество известных петербургских музыкантов играли в «АУ» в разное время, в том числе Виктор Цой, Андрей Васильев, Дмитрий Парфенов, Наиль Кадыров, Андрей Вепров, Макс Перекрест, Георгий Гурьянов и многие другие.

Андрей Панов (Свин) умер от перитонита в 1998 году и группа прекратила своё существование.

Автоматические Удовлетворители – Пейте С Нами!
Genre:
Rock
Style:
Punk
Year:
1995
Tracklist
–Автоматические Удовлетворители Все Равно 5:09
–Автоматические Удовлетворители Асса 4:13
–Автоматические Удовлетворители День Рождения 3:41
–Автоматические Удовлетворители Огуречный Лосьон 3:43
–Автоматические Удовлетворители Я Никому Не Нужен 3:18
–Автоматические Удовлетворители Дельта-План 4:14
–Автоматические Удовлетворители Соловей 3:30
–Автоматические Удовлетворители Мясо 3:38
–Автоматические Удовлетворители Возможности 2:45

here

The Ventures - Rocky Road

Tracklist

Moonlight Serenade

Daylight

Temptation, Temptation

Superstar Revue

The Stroke

Step Out

Gotta Be Stronger

HERE

Companies, etc.

Phonographic Copyright (p) – United Artists Music And Records Group, Inc.

Manufactured By – United Artists Music And Records Group, Inc.

Mixed At – Devonshire Studios

Recorded At – Devonshire Studios

Published By – Unart Music Corp.

Credits

Arranged By – Denny Diante (tracks: A1, A2, B1 to B4), Spencer Proffer (tracks: B1, B3, B4)

Arranged By, Arranged By [Strings, Horns] – Jimmie Haskell

Art Direction – Ria Lewerke

Backing Vocals – Denise Williams*, Julia Tillman*, Kim Carnes, Leisha, Maxine Willard*, Polly Cutter

Design [Album Design] – Leonard Spencer

Engineer – Ron Malo

Performer [Guest] – Ed Green*, Henry Davis, Jerry Peters, Joe Clayton, Larry Carlton, Larry Muhoberac, Ray Parker Jr., Ronnie Foster, Sid Sharp Strings*, Tom Scott, Wilton Felder

Performer [Guest], Backing Vocals – Vernon Burch

Photography By – Doug Metzler

Producer – Denny Diante

Producer [Associate], Arranged By – Jeffrey Marmelzat

Written-By – D. Diante* (tracks: B2-B4), J. Marmelzat* (tracks: A3, B2, B3), V. Burch* (tracks: A3, B1-B4)

Notes

600 Micron sleeve with paste-on artwork

The Friendly Group Aria ‎– Bersemi Lagi 1971

The Friendly Group Aria– Bersemi Lagi

Country:

Indonesia

Style:

Psychedelic Rock

Tracklist

A1 Kenangan November

A2 Taman Margasatwa

A3 Gairah Hidupku

A4 Gadis Pudjaanku

A5 Setitik Embun

A6 Ku Kan Berlalu

B1 Bersami Lagi

B2 Musim Bunga

B3 Masa Remadja

B4 Siapa Tahu

B5 Mawar Putih

B6 Pergilah Semaumu

Here

The Barracudas -A Plane View Of The Barracudas 1967

Tracklist

I Can't Believe 2:58

Not Fade Away 2:13

I Call Your Name 2:12

Gloria 2:45

Blue Blue Feeling 2:39

I'm A Lover Not A Fighter 2:02

I'll Never Fall Again 2:20

Feel A Whole Lot Better 2:20

All My Lovin' 2:00

I'm A Man 5:56

Shot Gun 2:52

Here

понедельник, 23 мая 2016 г.

Renaissance 1971

Tracklist
Listen To Me People
Strange Dream
Life
Down In Mexico
Love The One You’re With
A Dome Of Love
I’m Dying
Buried Alive
The Gift
A New Man Is Born In Me
Here

The Astral Projection – The Astral Scene 1968

Tracklist
(Astral Projection...Leaving The Body) Overture The Sunshine Seekers 3:00
Plant Your Seed 2:48
(Mind Flight) ...Overture The Airways Of Imagination 3:23
The Happening People 3:15
Accordion Pleated Mind 2:32
(Astral Exploration) ... Overture Dreams, Shadows, And Illusions 3:10
Whatta We Gotta Lose 2:58
Something To Believe In 2:47
Today I Saw The Sunrise 2:14
(Spiral Interiorization) ...Overture The Astral Scene 4:10

Here

Dan Hill ‎– Sounds Electronic Four 1967

HERE

And in the second half of that same year of 1967, the number four of the series was released. To please the moral censors of those times, the beautiful pin-up (one of the sexiest) on the cover was hidden by a suitable gatefold. About the music in it, let's see what was said on the liner notes: «This is Dan Hill's 4th "Sounds Electronic" long-player. It's the best! Because it has more tunes, better sounds. I promise you when you hear the first track you'll move. The rhythm of the first cut "There Is A Mountain" is so compelling you'd have to be a downright music hater to resist jumping up and down (like I did) or even tapping your toes. Dan and Geoff (he's Dan's inseperable sound engineer and buddy) led me into the control room, set me down in front of three speakers and played me a sample cut from this LP. Silence. Then... "Puppet On A String" leaps out of the speakers, glorious saxes ring out the familiar hit-making notes, trumpets take over triumphantly and the Scene scoops me up. I'm on wheels rolling down the road of effervescence. Fun and games after "Puppet" and we go straight into Miss "Tabatha Twitchit" - the beat is out of this world, space travel has nothing on this. Before we know it - "Kaiser Bill" marches in to the shrill of military-whistles. He in turn is succeeded by a bit of Hang-On-Snoopy-type music which introduces "Snoopy Versus The Red Baron"... and Dan leads the band in the shouting. It's spontaneous. Shades of the Turtles as "She'd Rather Be With Me" glides easily onto the tail of "Snoopy" and I'm trying to identify the electronic instrument chatting happily with the cool trumpets. The medley is over.

Dan looks younger suddenly. He's smiling and obviously knocked out himself. Geoff Tucker stands around looking like a proud father. Together they've done it. Together they have utilized South Africa's best musical talent; 4 tape machines (two of them four-tracks jobs); 6 reverberation units; 14 microphones; the most modern recording techniques in Africa; the most modern mixer and studio (Geoff spent 500 brain hours designing and building that alf-transistorized mixer); 40 of the top hits to emerge from the second half of the year 1967; and the ingenuity of the whole recording organisation. This is Dan Hill's latest and greatest "Sounds Electronic". And blended with the extraordinary technical developments to be found on this record is Dan's unique experience of dance bands. He plays regularly for dancers despite his recording commitments and he knows what dancers want and exactly what we like to hear. Success is a small word to use for this album... you have it in front of you now. I'd like you to sample it too. It is great. That's why I am one of Dan's many fans.» (Ronnie Wilson)

Dan Hill ‎– Music To Watch Girls By 1967

Tracklist
A Little Bit Me, A Little Bit You
I'm A Believer
Cry Softly
The More I See You
Gonna Get Along Without You Now
Paint Me A Picture
No Milk Today
Single Girl
The Green Green Grass Of Home
Work Song
Happy
Good Vibrations
Sugar Town
Sunny
Mellow Yellow
Thoko
Black Is Black
Bend It
Music To Watch Girls By
Winchester Cathedral
There's A Kind Of Hush
I Love Onions
Mame
Remember When
Tippy Toeing
Wednesday's Child
This Is My Song
Somethin' Stupid
Matthew & Son
Sweet Pea
Sunshine Superman
Guantanamera
Little Man
What Would I Be
Save Me
Lady Godiva
Dear Mrs. Applebee
Games That Lovers Play
HERE

Here's the third volume, already in glorious stereo, and the first one to be released in 1967. Under titled "Music To Watch Girls By", It has always been my personal favourite from all of the series. In those times naked ladies on the covers were a little bit outrageous and the following editions appeared with this ravishing blonde wearing a black bikini. But, fortunetely for all of us, this is the original edition.

воскресенье, 22 мая 2016 г.

The American Revolution - The American Revolution 1968

Tracklist

Cold Wisconsin Nights 1:57

Rainbow In The Rain 2:23

Prelude To Love 2:40

Show Me How To Cry 2:27

Crying Eyes And An Empty Heart 2:55

Come On And Get It 2:52

In The Late Afternoon 1:48

Keeping Your Love 2:43

Opus # 1 2:43

Love Has Got Me Down 2:27

Here

Credits

Artwork – ARW Productions, Inc.

Bass Guitar – John Keith (2)

Drums – Daniel Derda

Liner Notes – Cathy Furniss

Vocals, Organ, Piano – Eddie Haddad

Vocals, Rhythm Guitar – Richard Barcelona

Signed by the MGM-affiliated Flick Disc label, the quartet's 1968 debut "The American Revolution" found the quartet working with four separate producers (Harley Hatcher, the team of Mike Lloyd and Mike Curb, and Larry Brown). Musically the collection was all over the spectrum, including haphazard stabs at Rascals-styled blue-eyed soul ("Come On and Get It"), Beatles-styled psychedelia (the hysterically inept "In the Late Afternoon" and "Opus #1") and Buckinghams-styled horns ("Love Has Got Me Down). Unfortunately, while all four principles sang, none could really hold a tune (be sure to check-out their attempt at close-knit harmonies on "Crying Eyes and an Empty Heart"). Combined with the fact they couldn't write worth a damn and their choices of outside material sucked, and you were left with an album that was largely unlistenable. Give them an extra star for the hopelessly dated album cover. Of course today the project's earnestness is hysterical. Richard Barcelona turned up in one of the later (post GNP Crescendo) line-ups of the Seeds.

Antique - 1973 - Sincerely Antique

01. Chaucha
02. Don't Let Me Down
03. Esta Melodia
04. Feel It
05. Taboo
06. Batuka
07. Dias Como Hoy
08. Crumbs Off The Table
09. Tu Me Acostumbraste
10. Juntos
here

Alberto Cuevas (percussion), Manny Salas (keyboards, synthesizers, vocals), Chebi Rodriguez (lead guitar, vocals), Eddy Diaz (lead vocals, percussion), Arturo Blanco (bass guitar, congas, vocals)

For YEARS I've been looking for this little known, obscure Lp that many consider the holy grail of Latin Cuban / Miami garage psych. But it had eluded me for so long that I gave up hope of ever obtaining a copy. But yesterday, on my last stop at a Hialeah thrift store in Little Havana that I periodically frequent, it surfaced! This was the same store that helped me unearth RABBITS & CARROTS --the holy grail of Mexican Funk (fetching $800+ when listed several months ago). As to SINCERLY ANTIQUE: No known copies had surfaced for over a decade, & the 2 or 3 collectors of Latin / Cuban Psych here in Miami where it was pressed & distributed who were fortunate enough to own a copy that they probably purchased way back in the 1970s (it was pressed in 1973 ) absolutely RAVED about it--calling it one of the most overlooked killer Latin Acid Psych Lps of all time. Well, when I arrived home & took it for a spin on my cheap portable record player, I was FLOORED! Absolutely FLOORED! They were right! Absolute KILLER ORIGINAL CUTS!! 9 of the 10 are original compositions by the band members. 3 of the 10 are pure MONSTER acid prog pysch instrumentals: "Chaucha", "Batuka" & the MONSTER frenetic finale "Juntos" that has to be listened to to be believed! 2 of the cuts are killer blusey hard prog psych rock with strong lead vocals: "Feel It" & "Crumbs Off The Table". One ("Este Melodia") strong vocal (in spanish) with a long prog psych / rock ending. And the long MONSTER soulful prog blusey vocal / instrumental psych "Taboo" with that screaming soulful ending ranks with the best in the genre. A couple of more tame slower numbers in Spanish round out what I consider a true KILLER Latin Garage Lp & destined to become one of your all-time favorites. I would venture a guess that if this band had formed at the beginning of the hippie psychedelic revolution (1966-67) instead of at the tail end (early 1970s) & with the proper backing & promotion, they would have made it to Woodstock in 1969 & brought down the house!!! The acid heads & freaks would have gone bersurk! Anyway, back to this Lp. It was pressed in 1973 on the obscure FUNNY (# 502) label. (label has light writing on both sides). The album front COVER is pure PSYCH--with strange-looking Rabbits & Roosters along a winding road in a forrest with a ferocious tiger looking to attack-- flanked by HUGE MUSHROOMS with colorful butterflies perched atop...the BACK COVER contains a great B&W Cut-out COLLAGE of the band in action with some psychedelic symbolic images superimposed. The bottom (in script) contains the CREDITS that read: AlbertoCuevas (Percussion )--Manny Salas (Keyboard, Synthesizers, Vocals)--Eheli (?) Rodriguez (Lead Guitar, Vocals)--Eddy Diaz (Lead Vocals, Percussion)--Arturo Blanco (Bass Guitar, Congas, Vocals)--Joe "Electro" Rodriguez (Light Show, Cover Design, & Photography)--Distributed....Miami, Florida" COVER is still in Shrink & grades VG+. The VINYL has some scratches & grades VG (with some surface noise) but the noise (noticeable only in the slower numbers) is all but drowned out by the powerful stratospheric freakbeats that comprise the majority of songs & does not in any way detract from the enjoyment of this great & rare Lp. Stereophonic sound quality is great. There you have it. I will start the bidding at an extremely low opening with no reserve--allowing those interested to bid & determine the final value. A MUST HAVE for the serious psych / prog psych, bluesy psych, hard rock, garage rock or Latin / Cuban psych collector. Please bid accordingly, as this one is not likely to surface again for a long time.

If it weren't for Ken Golden over at the Laser's Edge, this is one title I probably would never have heard of. We're both fans of 70's Santana influenced Latin rock, and The Antiques fit squarely in that mold. A mix of kick ass instrumentals, bluesy hard rock workouts with Gregg Rolie like vocals, and soulful Latin pop numbers similar to Malo's more commercial efforts. I like all of it, but the first two categories are more to my taste (naturally enough I guess). Not quite as powerful as Chango or Dakila, but better than many in the genre like Broth, Azteca and Malo themselves. Lots of great organ and loud guitar leads here. 1) is a great instrumental opener and shows that The Antiques mean business, with some killer organ and guitar leads. 2) is a good example of one of their more commercial efforts. It's a bit sappy, but I like it in a Malo sort of way. Like driving in a convertible low rider through East LA (believe it or not, I've actually done just that). 3), 4) & 8) represent the third and final style of the album, where the The Antiques play a harder Santana rock style similar to their first 3 albums. 5) sounds like a track lifted from "Abraxas", and is a killer. 6) is the same tune that opens "Santana III". 7) & 9) are traditional Latin pop songs, that folks from the Old Country are going to be fond of (my wife recognized them as favorites from her Mom's generation). 10) closes the album in an absolute smoking way, similar to Chango really, and makes you wish the whole album would have been like it.