Clea Bradford

1965

Row,Row, Row 2:44

Don't Let It Rain On My Parade 2:47

Hey Look Me Over 2:38

Once Upon A Time 3:45

The Other Half Of Me 2:38

All Around The World 3:02

I Had A Ball 3:00

Ol' Man River 3:05

Come Rain Or Shine 2:20

After You 2:18

What's A Poor Fool To Do 2:15

Little Boy Bad 2:12

Credits

Bass – George Duvivier, Milt Hinton

Cello – Alla Goldberg, Tony Sophos, Pete Makas

Drums – Osie Johnson

Flute, Clarinet – Joe Soldo, Leon Cohen

Flute, Clarinet, Tenor Saxophone, Alto Saxophone, Baritone Saxophone – Bob Tricarico, Romeo Penque, Sid Cooper, Stan Webb, Walter Levinsky

Trombone – Eddie Bert, John Messner, Tony Studd, Urbie Green

Viola – Alfred Brown, David Mankovitz, Emanuel Vardi

Violin – Anthony Zungolo, Ariana Bronne, Bernard Eichen, Fred Buldrini, Jack Zayde, Joe Cali, Norman Carr, Pete Buonconsiglio, Walter Legawiec

Vocals – Clea Bradford

1968

A1 My Love's A Monster

A2 Spring Is Here

A3 Summertime

A4 The Thrill Is Gone

A5 Bye Bye Blackbird

A6 Think About That

B1 I Need Love

B2 A Place In The Sun

B3 What Is This Thing Called Love

B4 Anything Goes

B5 Any Day Now

65-68

Clea Bradford, 67, a versatile jazz singer who toured the Soviet Union with Earl “Fatha” Hines and recorded with Clark Terry in the 1960s, died Aug. 19 of complications from breast cancer at Holy Cross Hospital. She lived in Silver Spring.

Ms. Bradford, who settled into a second career as a voice coach in the Washington area after two decades of touring, was not a big star but a “huge twinkle,” as she once joked to The Washington Post, and was a favorite of critics. She performed locally in the 1970s and '80s, and reviewers found her compelling, noting her range, versatility and hornlike phrasing.

“Clea Bradford has been compared to other vocalists but the equation fails on two counts,” former Washington Post critic W. Royal Stokes wrote. “One, despite surface similarities, she is not an imitation. Two, attentive listening reveals that her craft derives from horn players rather than singers.”

Critics commented on her striking looks as well as her vocal expertise. She was almost 6 feet tall with high cheekbones and long straight hair, characteristics that she attributed to her mixture of Choctaw Indian and Ethiopian ancestry.

Clea Bradford - американская джазовая певица. Родилась в 1941 году в семье баптистского священника и начала петь в церковном хоре в возрасте 13 лет. Ее семья переехала в Сент Луис и их соседом оказался тенор-саксофонист Джимми Форрест. В его доме на джем-сейшнах бывали Майлз Дэвис, Кларк Терри и Оливер Нельсон. Именно с Форрестом и Айком Тернером Бредфорд начала выступать в Faust Club, сразу после окончания школы. Позднее была работа в клубах Чикаго, Детройда, Кливленда.

Первый альбом, "These Dues", Клиа записала в 1961 году с Кларком Терри. Затем, в 1965 последовал "... Now" с оркестром и арранжировками Jim Tyler.

В 60-х Бредфорд гастролировала с Playboy Club, выступала d The Joey Bishop Show и CBS Jazz Workshop. В 1966 году она с Эрлом Хайнцем совершила гастрольный тур в Советский Союз.

В 1975 переехала в Вашингтон, где какое-то время выступала в клубах, но в конце концов занялась преподованием вокала.

Умерла в 2008 году.

Клеа Бредфорд универсальная певица с замечательным голосом широкого диапозона, богатыми интонациями. И весьма примечательной внешности - высокая (более 180 см), с индейскими скулами и длинными прямыми волосами.

Cleo Laine Featuring John Dankworth ‎– Shakespeare And All That Jazz

If Music Be The Food Of Love (Twelfth Night)
O Mistress Mine (Twelfth Night)
Duet Of Sonnets
Winter (Love's Labour's Lost)
My Love Is As A Fever (Sonnet 147)
It Was A Lover And His Lass (As You Like It)
Dunsinale Blues (Macbeth)
Take All My Loves (Sonnet 40)
Blow, Blow Thou Winter Wind (As You Like It)
Shall I Compare Thee (Sonnet 18)
Witches, Fair And Foul (Macbeth & A Midsummer Night's Dream)
Fear No More (Cymbeline)
Sign No More, Ladies (Much Ado About Nothing)
The Compleat Works
1964

Super Erótica ‎– Na Intimidade

Je T'aime Mon Amour
La Decadance
I Love You Je T'aime
Pillow Talk
Emmanuelle
Noi Due Per Sempre
La Nuit C'est Pour Les Amants
Aw C'Mon
Jungle Fever
Smile At Me
Message Personnel
Le Jour Que Tu Reviens
1975
Os Carbonos is a band formed during the 1960s in São Paulo. It is one of the first bands to cover international successes. They used the names The Witchcraft and The Hot before adopting the name Os Carbonos, in 1966.
Under the name Os Carbonos, the group released about 20 LPs. Throughout the decade of 1970, they modified the name several times, appeared like Androids, The Mackenzie Group, Carbono 14 and The Magnetic Sounds in the latter, recorded the series of LPs "Super erotic".
Like The Magnetic Sounds, they recorded albums and accompanied the singers Gilbert and Norma Aguiar in the series of LPs Super erotica (1972-1973, New Records). They recorded also with the names Andróides, The Mackenzie Group, Carbono 14 and others, besides to appear in dances, mainly in the North-Northeast.

In the late 1990s, they began to accompany singer Gilliard on records and shows

Wanted !

Super Erotica ‎– Super Erótica Vol. 5

Chambre De Motel
Marriage
Heaven
L´Amour
Soft Heart
I Wanna Be Your Lover
Dieu Fumeur De Havanes
Trois Minutes
Don´t Stop Loving
My Little One
1981
Os Carbonos is a band formed during the 1960s in São Paulo. It is one of the first bands to cover international successes. They used the names The Witchcraft and The Hot before adopting the name Os Carbonos, in 1966.

Under the name Os Carbonos, the group released about 20 LPs. Throughout the decade of 1970, they modified the name several times, appeared like Androids, The Mackenzie Group, Carbono 14 and The Magnetic Sounds in the latter, recorded the series of LPs "Super erotic".

Like The Magnetic Sounds, they recorded albums and accompanied the singers Gilbert and Norma Aguiar in the series of LPs Super erotica (1972-1973, New Records). They recorded also with the names Andróides, The Mackenzie Group, Carbono 14 and others, besides to appear in dances, mainly in the North-Northeast.

In the late 1990s, they began to accompany singer Gilliard on records and shows

Super Erotica ‎– Super Erótica Vol. 2

A1 Love Story
A2 That´s What I Want
A3 Notre Thème D´Amour
A4 Put Me In Your Pocket
A5 Sunflower
A6 Sweet Memories
B1 Je T´Aime ... Moi Non Plus (Sung In English)
B2 Passion Love Theme
B3 Davy
B4 Lost In Space
B5 Performance
1974
Проект со множеством названий и альбомов
в розыске этот альбом

https://www.discogs.com/Super-Erotica-Super-Er%C3%B3tica-Vol-4/master/1276712

Blowfly-Disco

1. Shake Your Ass 03:57
2. What A Difference 03:28
3. Bad Fuck 03:08
4. Suck It 03:27
5. Spread Your Cheeks 04:11
6. Freak Out 06:44
7. Kiss It All Around 03:07
1976
Clarence Reid
Blowfly is the stage name and alternate persona of Clarence Reid (born February 14, 1939 in Cochran, Georgia; died January 17, 2016 in Lauderdale Lakes, Florida), who was a songwriter for many hit R&B acts in the 1960s and 1970s.

Zventa Sventana

Страдания 2006

1      Ай Божа
2 Кровать
3 Пошла Млада
4 Ай Кумушки
5 Стороною Дождь
6 Колыбельная
7 Бедный Лазарь
8 Брови
9 Страдания
10 Настя

Мужа Дома Нету 2019

1 Мужа Дома Нету

Featuring – Иван Дорн

2 Пойду Плясать

3 Ай, Божа

4 Соловейка

5 Сухотушка

6 Сашенька

Zventa Sventana

Dolly Cooper-The Essential

 01 - Ay La Bas
02 - Big Rock Inn
03 - Alley Cat
04 - I Need Romance
05 - Every day And Every Night
06 - Ooh Daddy
07 - Tell Me, Tell Me
08 - Central 1609
09 - I'd Climb The Highest Mountain
10 - I Wanna Know
11 - You Won't Trouble Me No More
12 - My Man
13 - Down So Long
14 - I'm Lookin' Through Your Window
15 - Palm Of Your Hand
16 - Times Brings About A Change
17 - You Gotta Be Good To Yourself

Dolly Cooper

American singer who in the 1940`s sang with the likes of Cootie Williams, Dizzy Gillespie, and Lionel Hampton.

As a soloist her Modern record "A Teenage Prayer" had her nominated in 1955 by Cashbox`s DJ poll as `Most Promising Vocalist`.

Various ‎– Monster Bop

1–Jackie Morningstar Rockin' In The Graveyard 2:05
2–Carl Bonafede Were Wolf 2:20
3–Jerry Coulston Caveman Hop 2:18
4–Rod Willis The Cat 2:20
5–Jack & Jim Midnight Monsters Hop 2:35
6–Scottie Stuart Nightmare 2:05
7–Leroy Bowman Graveyard 2:15
8–Mack Allen Smith The Skeleton Fight 2:35
9–Jimmy Dee The Monster Hop 2:14
10–Carl Bonafede Story That's True 2:10
11–Bert Convy The Gorilla 1:50
12–Joe Wallace Leopard Man 2:40
13–Earl Patterson Nightmare Hop 2:50
14–Bobby Please The Monster 1:54
15–The Phantom Five Graveyard 2:37
16–Tommy Roe Caveman 1:54
17–The Daylighters Mad House Jump 2:10
18–Jim Burgett Jekyll And Hyde 2:14
19–Cris Kevin Haunted House 2:09
20–Mike Fern The Head Hunters 2:30
21–Round Robin I'm The Wolf Man  2:35
22–The Hollywood Flames Frankenstein's Den 2:00
23–Bert Convy The Monster Hop 2:20
24–Carlos Casal Jr Don't Meet Mr. Frankenstein 2:15
25–The Keytones I Was A Teenage Monster 2:18
26–The Castle Kings You Can Get Him Frankenstein 2:24
27–Joe Johnson The Gila Monster 1:40
28–Eddie Thomas  Frankenstein Rock 1:50
29–Randy Luck I Was A Teen-Age Cave Man 2:30
30–Ivan  Frankie Frankenstein 2:25
1994
This HIGH Quality SOUND CD has been digitally remastered from the original 45's to maintain the real 50's blast.

Various ‎– Horror Hop

1–Tommy King Bop Diddlie In The Jungle
2–The Motivations The Birds
3–The Drivers Dry Bones Twist
4–Big Bee Kornegay At The House Of Frankenstein
5–Kip Tyler She's My Witch
6–Billy Sills Nightmare
7–The Revels Foo Man Choo
8–Mickey Lee Lane The Zoo
9–Lee Ross The Mummy's Bracelet
10–Lou Chaney Monster Holiday
11–Evans Carroll The Monste
12–Lord Luther Teenage Creature
Band [Uncredited] – The King's Men
13–Ben Colder Shudders And Screams
14–The Duponts Screamin Ball
15–The Savoys The Mortal Monster Man
16–The Revells Midnight Stroll
17–Tony's Monstrosities Igor's Party
18–Jack Hammer Black Widow Spider Woman
19–Dave Gardner Mad Witch
20–John Sowell Night Mares
21–Bobby Bare Vampira
22–Smiley Smith Voo Doo Woman
23–Tarantula Ghoul Graveyard Rock
24–The Frantics Werewolf
25–Billy Taylor  Wombie Zombie
26–Macey Ross Big Chief Buffalo Nickle
27–Kip Tyler Jungle Hop
28–Pasquale & The Lunar Tiks Moon Madness
29–Gary Warren Werewolf
30–Sonny Day Creature From Outer Space
31–Phil Carter Amazon
1994

Various ‎– Great Googa Mooga!

1–Larry Williams Heeby Jeebies
2–The Chips Rubber Biscuit
3–Tom & Jerrio Great Googa Mooga
4–The Penguins Ookey Ook
5–Pretty Boy Bip Bop Bip
6–Richard Berry Yama Yama Pretty Mama
7–The Bobbettes Um Bow Bow
8–Don & Dewey Bim Bam
9–Jonesy's Combo Featuring Fletcher Smith's Squares Ting Ting Boom Scat
10–Blues Woman (Marion Abernathy), The* With The Buddy Banks Sextet Voo-it! Voo-it!
11–The Falcons Du-Bi-A-Do
12–Arthur Lee Maye & The Crowns Oochie Pachie
13–Marvin & Johnny And The Marsmen Mamo Mamo
14–Billy Byrd & His Penguins Boom Pacha Boom
15–The Magic Tones Good Googa Mooga
16–LaVern Baker Voodoo, Voodoo
17–Jessie Hill Ooh Poo Pah Doo Pt 1
18–Savoys Featuring Al Smith, Jack McVea's Orchestra* Yacka Hoom Boom
19–Dolly Cooper Ay La Bah
20–Little Anthony & The Imperials Shimmy Shimmy Ko Ko Bop
21–The Rivingtons Mama-Oom-Mow-Mow (The Bird)
22–Claude McLin Jambo
23–Little Richard Bama Lama Bama Loo
24–JJ Jackson Oo-Ma-Liddi
25–Gamma Goochee Himself (You Got) The Gamma Goochee
26–King Coleman Loo-Key Doo-Key
27–Claude McLin Jambo (Instrumental Version)
2003

https://melomanchicrus.blogspot.com/2019/11/the-frantics-complete-frantics-on-dolton.html

Various ‎– The History Of Township Music

01 - Thomas Mabiletsa - Zulu Piano Medley No 1 Part 1
02 - Pietersburg Melodians - We Are Going Home
03 - Solomon Linda’s Original Evening Birds - The Lion
04 - Royal Players - Cry Until The Tears Dry Up
05 - Nancy Jacobs & Her Sisters - Meadowlands
06 - Dolly Rathebe & The African Inkspots - A Wasp
07 - Manhattan Brothers - Turn Around To The Cliffs
08 - Mabel Mafuya & The Green Lanterns - Nomathemba
09 - Dorothy Masuka - He Only Arried Yesterday
10 - Solven Whistlers - Something New In Africa
11 - Kippie Moeketsi & The Marabi Kings - Goli Kwela
12 - Miriam Makeba & The Skylarks With Spoke Mashiyane - Our Child Is Gone
13 - Jazz Dazzlers - Diepkloof, My Home
14 - Elite Swingsters - Keep Quiet, I’ve Heard You
15 - Ten Troubadours - The Goat
16 - Four Yanks - The Milktree
17 - Young Stars - A Loafer
18 - Reggie Msomi’s Hollywood Jazz Band - Midnight Ska
19 - Big Four - Mr Music
20 - Mahotella Queens - Mother, Keep Quiet!
21 - Makhona Tshole Band - I’m Crying While Running Away No. 2
22 - John Ramotsie - Unrest
23 - Boyoyo Boys - A Thug
24 - Izintombi Zesi Manje Manje - Your Cousins
25 - Soul Brothers - They Are Coming
26 - Mpharanyana & The Cannibals - Thakane
27 - Shoes Laces - You Always Get Drunk
28 - Marumo - Toitoi
2002
Introduction
This online exhibition grew out of a student project titled “From Zulu choirs to Kwaito – the development of music history and culture in South Africa (1867-2017)”, carried out in the Department of History of the University of Basel in the fall semester of 2017. The main emphases were: working with the material of the fledgling sound collection of the library of the BAB and the study of the development of music cultures in close connection with the political history of South Africa.

Each of the 10 students researched a particular genre of music and set it in its socio-historical context, this resulting in contributions that were accompanied by pictures and music material. Among the music styles studied, for example, is the genre Isicathamiya, based on the music of the Zulu choirs. It developed at the beginning of the 20th century among the migratory waves of Zulu job-seekers in Johannesburg. In the housing settlements for the miners in and around Johannesburg, however, not only in the area of choral music did new and unique music styles and dances evolve, but also South African Jazz and Swing with their sub-genres and the pioneers, Marabi and Kwela, developed through the influence of American music and film idols. Furthermore, the mixing with pop elements created the South African pop music called Bubblegum or Mbaqanga.

The album The History of Township Music contains an extensive compilation of different South African music genres from the 40s to the 80s. Wrasse Records: The History of Township Music, London 2001. [Audio-CD]
The economic and cultural boycott initiated by the UN and the European solidarity movements also had a great influence on the music culture in South Africa. To weaken the apartheid regime, artists the world over were called upon not to collaborate with musicians from South Africa. Exceptions confirmed the rule, which is also discussed here.

Even during the independence struggle, in addition to the so-called Freedom Songs, there were also Hip Hop crews, who, with their texts, called for resistance. Hip Hop is present to this day in the South African music scene. It faced competition through the rise of the dance music Kwaito, which also contains rap elements while lacking the educational claim of Hip Hop. The ideology and orientation of the two popular music genres stand in stark contrast to each other. While former Hip Hop artists today do educational work in townships in social institutions, Kwaito still has connotations of crime, easy money and parties. The big market-oriented music labels prefer to support the more popular Kwaito, so that today’s Hip Hop scene is trying to assert itself in the underground with independent labels. The critical comparison of the two young musical styles was part of the project and also finds its place here. If you are interested in getting a better feeling for the music genres, the YouTube playlists offer further sound material.
We would like to thank the South African Hip Hop artist Yugen Blakrok and her music producer DJ Kanif, who visited us during the project last October. The course was thus able to gain first-hand insight into the underground Hip Hop scene of today’s South Africa as well as a detailed historical overview of the music scene during and after apartheid.
We would also like to thank the music teacher and choral director Jeanette Baur, who offered the students a fascinating introduction to music theory and capably laid out the important features of South African choral singing; she also showed the influence of these parameters on other music genres in South Africa.

Mpharanyana & The Cannibals- Disco Bump

A1 Mawela
A2 Disco Bump
A3 Mme Mmathabo
A4 Baby Baby
A5 Thapelo
B1 Slip Away
B2 Grace, My Baby
B3 I Got Music To Play
B4 Satane (Bamotshwere)
B5 I Feel Like Going Away
1977
There are many 1970s youngsters that will say Jacob “Mpharanyana” Radebe was the best soul singer that South Africa has produced. The man from Katlehong was hugely popular in the mid to late 1970s, until his life was cut short in 1979.

He recorded “a handful” of albums for the Mavuthela stable, calling upon ‘cream-of-the-crop’ musicians in “The Cannibals” and “The Peddlars” – many of whom formed the core of the Pelican Club House band in Soweto at the time.

I do like the cover of Clarence Carter’s “Slipping Away” – compare for yourself with the original here. In addition to its soul foundation, this strong eclectic line-up of tracks references mbqanga, disco, bump and rock. The track “Satane” nods to the music Thomas Mapfumo was producing at the time.

The line-up on this album is:
Ray Phiri: Lead guitar and backing vocals
Jacob Radebe: Lead vocals and percussion
Ephraim Hlope: Organ
Isaac Mtshali: Drums and backing vocals
Richard Shongwe: Base guitar and backing vocals.

Munich Machine

Fenati At Piano With The Munich Machine ‎– Disco Symphony 1977

Sheherazade 4:17

Ol' Man River 3:17

From The New World Symphony 7:14

Serenade 4:14

So In Love 4:08

Beethoven Today, V th. Symphony, II Movement 4:06

Moto Perpetuo 3:02

Sweet Melody 4:15

Munich Machine Introducing The Midnite Ladies 1977

Get On The Funk Train 15:45

Love To Love You Baby 2:32

Trouble-Maker 2:48

Try Me, I Know We Can Make It 2:34

I Wanna Funk With You Tonite 3:26

Spring Affair 4:30

Love To Love You Baby (Reprise) 3:53

Munich Machine Introducing Chris Bennett ‎– A Whiter Shade Of Pale 1978

A Whiter Shade Of Pale

It's For You

It's All Wrong (But It's Alright)

La Nuit Blanche

Love Fever

In Love With Love

Body Shine 1979

Party Light 6:00

Fallen Angel 5:20

Space Warrior 4:14

Let Your Body Shine 4:40

Reputation 5:04

Easy 4:00

Bolectro 3:52

77-79

Little Anthony & The Imperials ‎– 25 Greatest Hits

1.Tears On My Pillow
2.Two People In The World
3.So Much
4.The Diary
5.It's Not For Me
6.Wishful Thinking
7.A Prayer And A Jukebox
8.I'm Alright
9.Shimmy Shimmy Ko-Ko Bop
10.My Empty Room
11.I'm Taking A Vacation From Love
12.Please Say You Want Me
13.Traveling Stranger
14.I'm On the Outside Looking In
15.Goin' Out Of My Head
16.Hurt So Bad
17.Take Me Back
18.I Miss You So
19.Out Of Sight, Out Of Mind
20.Hurt
21.The Ten Commandments Of Love
22.Better Use Your Head
23.Gonna Fix You Good (Every Time You're Bad)
24.I'm Hypnotized
25.Yesterday Has Gone
Flack
Some singers sing from the throat, others from the nose or the heart. Little Anthony sings from his guts. On some numbers he sounds as if he's about to upchuck; thus lies the everlasting appeal of the Brooklyn doo wopper who has hung in there ...    Full Descriptionsince the '50s. He's a song slugger who doesn't mess around in the studio or on stage being cute. He always gives his all, and, like Smokey Robinson, overshadows his guys, The Imperials. This encompassing CD contains all the group's illustrious hits and sides from End, DCP, VEEP, and United Artists Records. A wealth of untiring material is provided including "Tears on My Pillow," "Wishful Thinking," "Shimmy Shimmy Ko Ko Bop," "Going Out of My Head," "Hurt So Bad," "The Diary," and other top-shelf goodies. ~ Andrew Hamilton

Caterina Valente ‎– Sweet Beat

1 We Can Work It Out 2:18 2 You've Got Your Troubles 2:18 3 Fascinating Rhythm 1:55 4 Music To Watch Girls By 2:15 5 Ol' Man River 2:03 6 San Francisco 2:39 7 Blueberry Hill 2:35 8 Don't Sleep In The Subway 3:47 9 C'est Si Bon 2:38 10 Waterloo Sunset 2:54 11 Terrible Feeling 2:15 12 I Dig Rock And Roll Music 2:42 13 Happy Together 1968 Caterina Valente ‎– Sweet Beat - The Legendary 60s Pop Session 2006 Caterina Valente ‎– Sweet Beat-1968

Boudleaux Bryant ‎– Boudleaux's Bestsellers

Have A Good Time 2:17
Raining In My Heart 2:55
Take A Message To Mary 2:34
All I Have To Do Is Dream 2:18
Devoted To You 2:16
Bye Bye Love 2:36
Wake Up, Little Susie 2:20
Hey, Joe 1:59
Mexico 2:08
Poor Jenny 2:04
Bird Dog 2:33
Let's Think About Living 1:58

1963

Johnnie Ray - 16 Most Requested Songs

1 Cry 3:02
2 Walking My Baby Back Home 2:20
3 All Of Me 2:07
4 Whiskey And Gin 2:42
5 Let's Walk That-A-Way 2:36
6 Don't Blame Me 2:22
7 The Little White Cloud That Cried 2:14
8 Just Walkin' In The Rain 2:37
9 (Here Am I) Broken Hearted 2:47
10 Tell The Lady I Said Goodbye 2:39
11 Why Should I Be Sorry 2:59
12 Glad Rag Doll 2:15
13 Hey There 2:52
14 Please, Mr. Sun 2:56
15 Such A Night 2:13
16 As Time Goes By 3:12
1991
Born : January 10, 1927 // Dallas, Oregon, USA
Died : February 24, 1990 // Los Angeles, California, USA
Johnnie Ray was one of the most popular American singers of his day. He is considered by some people to be the forerunner of what would become rock 'n' roll.

Mona Richardson ‎– Try It, You'll Like It

Try It, You'll Like It
The Summer Knows
The Masquerade Is Over
Ain't Nothing Like The Real Thing
Don't Leave Me This Way
Broken Hearted Melody
You're As Right As Rain
Send In The Clowns
Neither One Of Us
California Soul
1977
Blues, jazz and gospel singer, Mona Richardson was born in Los Angeles, CA. (5. 02. 1947)
committed suicide in Melbourne, Australia at the age of 38. (5. 08. 1985)
Певица с мощным голосом,ее записи почему то очень редки и дорого стоят,с трудом нашел первый альбом

Marguerite Piazza ‎– Memorable Moments Of Music

A1 I Could Have Danced All Night - (From The Musical Production "My Fair Lady")
A2 Come Back To Sorrento
A3 Swing Low Sweet Chariot
A4 You'll Never Walk Alone
A5 Vesti La Giubba - From "Pagiacci"
A6 When The Saints Go Marching By
B1 Un Bel Di Vedremo (One Fine Day) - (From "Madame Butterfly")
B2 Sonny Boy
B3 All Alone
B4 Hush A Bye Baby
B5 Till We Meet Again
B6 The New Stars And Stripes Forever
1959